One book at a time... though I'm usually doing the research for others while I'm writing, but that sort of research is fairly desultory and I like to stick to the book being written - and writing a book concentrates the mind so the research is more productive.
I feel like I have a lot of novel ideas, but they often come up while I'm already in the process of working on a book. You have to watch out with the slutty new idea.
I can't really say - if I've run out of ideas until I've had my next set of ideas.
The notion of a writer sitting in a library doing research isn't what I want. The research I love doing isn't found in a book. It's what it feels like to rappel down the side of a building; to train with a SWAT team; to hold a human brain in your hands; or to dive for pirate treasure. Those are things I've done to research my stories.
I've just finished my 20th book this past year and I'm working on my 21st book about the Middle East right now that I'll finish this year. And I get up early in the morning and when I get tired of the computer and tired of doing research, I walk 20 steps out to my woodshop and I either build furniture or paint paintings. I'm an artist too.
People ask me, 'Don't you ever run out of ideas?' In the first place I don't use ideas. Every time I have an idea it's too limiting, and usually turns out to be a disappointment. But I haven't run out of curiosity.
People ask me, 'Don't you ever run out of ideas?' Well, on the first place, I don't use ideas. Every time I have an idea, it's too limiting and usually turns out to be a disappointment. But I haven't run out of curiosity.
To be honest, I don't usually do very much research, especially if I'm working with a director who also wrote the screenplay. They've usually done a tonne of research. And they'll tell you about it from their perspective which is better than doing your own research.
If you run out of new ideas when you are very young, then it's a problem of talent; If you run out of new ideas when you get older, it may be that there's nothing left to say, or it may be that core ideas demand repeated attention.
I'm publicizing the book that's done. I'm writing the book that's in the hopper, and I'm doing a little advance research on the book to come.
In doing everything, from coming up with the ideas and putting them on paper till doing the final edits, you are always thinking the next three steps, you're always thinking what next, what next, what next?
My next book - each one while I'm working on it - dances in my mind and thrills me at every turn. If it didn't, why would I write it?
Usually, the creating of the book happens while I'm writing the book. I start with Chapter One, with a few ideas and a handful of characters, and the book grows from there.
It's an all-inclusive package, when you get to be creative and run a little country while you're on a set and doing it with people that you enjoy working with and you all have a say in it.
One day I think it's the greatest idea ever that I'm working on. The next day I think it's the worst that I've ever worked on - and I swing between that a lot. Some days I'm very happy with what I'm doing, and the next day I am desperate - it's not working out!
The book I'm working on next, which will be my fifth, returns to literary history. I really do love literary history, and I have plenty more ideas on it.