A Quote by Jodi Picoult

I start by mulling a question and before I know it, a whole drama is unfolding in my head. Often, an idea sticks before I know what I'm going to do with it. — © Jodi Picoult
I start by mulling a question and before I know it, a whole drama is unfolding in my head. Often, an idea sticks before I know what I'm going to do with it.
we all begin the process before we are ready, before we are strong enough, before we know enough; we begin a dialogue with thoughts and feelings that both tickle and thunder within us. We respond before we know how to speak the language, before we know all the answers, and before we know exactly to whom we are speaking.
I think a conceptual idea comes to me first - something I've been mulling over a lot right before I feel like writing a book - and then the characters start to develop around it.
I always have an idea before we even start the movie because if you hire the wrong person, within a couple of days you're going to know that and you're going to be really panicked.
Time, you'll be pleased to know--and since one must start somewhere--was created in creation. The question What was there before creation? is meaningless. Time is a property of creation, therefore before creation there was no before creation.
You never know, when you're going in to work with people if they're gonna be friendly or judgmental, or what have you. There's a ton of insecurities that go into my head, before I start working with someone.
I think I'm the last generation that remembers life before the smartphone. I'm going to be one of them old geezers going, 'You know, when I was a kid, we used to play with sticks.'
I didn't act professionally before going to drama school. I don't know if I had the confidence. I didn't think I'd get in when I first auditioned for drama school, and then I did.
You need to know a lot about what's going on, but when it comes to making the work, I take almost an anti-intellectual stance. You've got to be stupid enough, in some ways, to plunge into something that you have no idea what it's about. If you know what you're going to do before you do it, you just end up illustrating an idea.
The foundation of all human knowledge, the beginning of human consciousness, must be that each and every one of us is an object of love. Before you know if you have red hair or brown, before you know if you are black or white, before you know of what religion you are a part, you have to know that you are loved
We travel because we do not know. We know that we do not know the best before we start. That is why we start. But we forget that we do not know the worst either. That is why we come back.
Getting a great idea with song writing is a lot like love. You don't know why this one is different, but it is. You don't know why this one is better, but it is. It sticks in your head, and you can't stop thinking about it.
I want to know my whole story works before I start working.
Everyone on the grid gets nervous before a Formula 1 race. It's just how you manage it. It's impossible not to be a bit nervous before a Formula 1 start or even before a World Series start. You have nerves. The thing is, you know how to control them.
If I was going to sum up my approach to this whole mind issue, I would say this: the question is often formulated in a very bad way - for example, by posing the question in terms of stuff. It's better to start with the things we do know: for example, that there are people and other thinking creatures, who have mental capacities. Our next step should be to say something about these capacities.
Young people want to be famous before they know how to cook, before they know how to treat people, before they know what hospitality means. I stayed in France for seven years and Austria for three, so before I was a chef anywhere I was already cooking for 10 years.
You grew up with America on the TV, and you think you know a place before you get there, and you have this idea of it in your head.
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