A Quote by Jodi Picoult

You might not write well every day, but you can always edit a bad page. You can't edit a blank page. — © Jodi Picoult
You might not write well every day, but you can always edit a bad page. You can't edit a blank page.
I don't believe in writer's block. Most of writer's block is having too much time on your hands. My mantra is that you can always edit a bad page; you can't edit a blank page.
I do like a song that can look good on a page without even being sung. I edit and edit and edit.
You can't edit a blank page
I write a chapter, then edit it and edit it and edit it and edit it. I don't think we mine creativity from within. It's bestowed from on high, from God.
I write every day. Even if I'm not writing well, I write through it. I can fix a bad page. I can't fix a blank one.
When I write, the first blank page, or any blank page, means nothing to me. What means something is a page that has been filled with words.
I'm trying to read/edit my story as if I have no existing knowledge of the story, no investment in it, no sense of what Herculean effort went into writing page 23, no pretensions as to why the dull patch on page 4 is important for the fireworks that will happen on page 714.
One thing I knew about the novelist’s task: when in doubt, write; when empty, write; when afraid, write. Nothing is more impenetrable than the blank page. The blank page is the void, the absence of sense and feeling, the white light of literary death.
Yes, the fear of its blankness. At the same time, I kind of loved it. Mallarmé was trying to make the page a blank page. But if you're going to make the page a blank page, it's not just the absence of something, it has to become something else. It has to be material, it has to be this thing. I wanted to turn a page into a thing.
I have a horror of the blank page. I simply cannot write on a blank page or screen. Because once I do, I start to fix it, and I never get past the first sentence.
As a writer, if you have something on a page, you can start moving it around and get something you like. But if you have a blank page, it's just gonna be a blank page.
Tomorrow is the first blank page of a 365-page book. Write a good one.
Sometimes it can be really exciting, but I avoid the blank page now. What I do is hand write everything. When you're hand writing, there's never a blank page, really. There's so much you can do with that.
Write a page every single day, even if what you put on the page that day is no good - it's the only way to get better.
Having the great opportunity on a daily basis to sit in front of a blank page is terrifying, and at the same time really exciting. I can't actually get better at my job, because every time you finish something you start with a blank page, with nothing.
The worst thing is the blank page at the start. Then the horrible things written on the blank page. Then deciding whether or not to throw out those horrible things: lame scenes, lame characters, bad ideas.
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