A Quote by Jodie Foster
I didn't work very much when they were young, and I had the luxury to be able to do that. Most people can't.
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For me, I was born in the Bronx, and I moved to Virginia Beach, Virginia at a very young age. I had the luxury of going back to New York, visiting my grandmother who would spoil me endlessly, and I could buy whatever was the hot kicks in the summertime of 1990. Being able to shop and then going back to Virginia Beach, where they weren't as fast in regards to fashion, I had that luxury.
I am able to say that I was very much liked at the school. I even had quite some ascendancy over my comrades, and as soon as I appeared in the school yard, I was surrounded by young friends, most of them bigger than I, but who were quite willing to give the appearance of disciples; they would have defended me furiously if necessary.
Britney's a very beautiful human being. After I worked with her, I realized that there was a reason why she was the most popular pop artist over so many other pop artists at that time who were more talented, had better voices. And it was because of her heart, her soulShe had the most amazing energy and was always positive and a very discreet person. We were young, too, and got to make a movie about three friends on a road trip. It was so much fun!
I cast very much from the gut, and I think I was very lucky to be able to get... many amazing international... people that I had always really wanted to work with.
The 70s were a wonderful time to be young. I think most young people at that time were pushing the boundaries, asking all sorts of questions of society, of life and of themselves. They were very politicised. It was part of the air that we breathed.
My mother and my father had very, very strong Scots accents. We were Australian, and in those days when I was young, I spoke with a much more of an Australian accent than I have now. However I knew that if I went to England to become an actor, which I was determined to, I knew that I had to get rid of the Australian accent. We were colonials, we were Down Under somewhere, we were those little people Over There. But I was determined to become an Englishman. So I did.
I had the good fortune to be able to right an injustice that I thought was being heaped on young people by lowering the voting age, where you had young people that were old enough to die in Vietnam but not old enough to vote for their members of Congress that sent them there.
Most young actors, that's all they're trying to do: Get better at acting and be able to keep doing it. And that doesn't work out for most people.
I can say that I'm a feminist and I try to be progressive and all that stuff. But I when I'm tired or when I've been thrown up on for the second time that I'm just a tired man trying to keep it together. I've had a lot of jobs over the years and people who make television - it's ridiculous how much they're lauded and paid. It's irresponsible and stupid. But it is hard work. It's very difficult to balance having three young kids and working like that. So I owe my wife an enormous debt of gratitude. I feel guilty that the kids had to be grown in her body and she hasn't been able to work.
The surest way to work up a crusade in favor of some good cause is to promise people they will have a chance of maltreating someone. To be able to destroy with good conscience, to be able to behave badly and call your bad behavior 'righteous indignation' — this is the height of psychological luxury, the most delicious of moral treats.
Most brands that are called luxury brands today are not true luxury brands. The globalization of fashion and luxury means you now find the same luxury brands in every city. The stores look the same, the products are the same. It is still a very good quality product but it is now readily available to everyone. It's a kind of mass luxury.
I'm very lucky to be able to work in print and radio. I'm very lucky to be able to work at a time when finance and economics are really important. And the number of people who tell finance and economic stories in a kind of accessible storytelling way, there's much more demand than there is supply.
[At DuPont,] I was very fortunate that I worked under men who were very much interested in making discoveries and inventions. They were very much interested in what they were doing, and they left me alone. And I was able to experiment on my own, and I found this very stimulating. It appealed to the creative person in me.
I feel for young people today. When I came out of law school, yes, we were broke, we had kids, we had problems. But it was straightforward. I didn't have to say, "My God, I am $80,000 in debt, I have to get a job, I have to pay it back, my life is ruined otherwise." We were able to go forward and work toward building something new, and that's what we did. Today many lawyers are unable to feel free to be advocates.
The other thing that was very noticeable on that tour, not so much in the video, was the new young element that were coming to our shows... I started to see some very young people in the audience... maybe 14, 15, 16 years old.
Just from my own experience, a lot of the comedians I used to work with were miserable in their actual lives. I think you need to be able to see a lot of negative in things in order to extract material, so there's probably something to that. A lot of the people I used to work with were very, very, very unfunny offstage, so that's a pretty common thing.
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