A Quote by Jodie Foster
The movies I made when I was 14 or 15, I have a hard time looking at those. Those were the awkward years. I don't know if anybody can look at something they did when they were 14 and not wince.
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When I was playing in the Ajax youth teams - when I was, say, 14, 15 - you started to get all those international youth tournaments. All those English teams came. Well, the English were much further than we were.
I didn't realize how limiting an R rating is. I made 'Disco' as a cautionary tale for 14- and 15-year-old girls, and those girls were not allowed to see the film by their parents.
There's all kinds of those moments in your life where either through a weird set of circumstances, or a song you hear, or a smell you smell, or one person says something totally out of the context without the meaning that you assigned to it, but you snap back to the way you were when you were 14 or 15. We all deal with that.
I did two movies that were arthouse movies; they were critically successful but made no money at all... but after making those movies, I thought, 'I wouldn't watch my own movies when I was 16, and my buddies where I came from wouldn't watch my movies, because they were boring.'
I did 14 movies in six years, I had a cartoon TV show, and I don't want to do that again. I just want to make unique pieces of art. That's why I quit everything when I was 14 and sat around for eight years before I did another movie.
What Hollywood has done through the years is glamorized it even more, made it sexy, made it sensuous, and dwelled on those pleasure aspects, completing ignoring the fact that Hollywood as an industry, was pointing the gun at young people - pointing a gun at them when they were 12 to 14 years.
There were plenty of people who didn't know that I played for United. I'm not one of those people that puts themselves out there. And I was never satisfied to be playing for United at 14 or 15; I wanted to play for Manchester United's senior team.
The Nehru years were rather very peaceful years. A lot happened in those years: dams were built, five-year plans were made, Chandigarh was built in front of my eyes. Those were the years I grew up in.
When I was super young, we were hiking to the top of the 14,000-foot peaks in Colorado. You know, when I was in my early teens, we went to Bolivia and climbed to the tops of the highest mountains in the Alps. You know, those experiences were so exciting that when I came back to school, I was actually quite bored.
I was 15, not 14, when I was inside there [Auschwitz], 15, and for me both were actually a surprise.
Downwinders, meaning those people, individuals, communities that were downwind of the nuclear test site. During those years when we were testing atomic bombs above ground, when we watched them for entertainment from the roofs of our high schools, little did we know what was raining down on us, little did we know what would appear years later.
You know the awkward class photo when you're sitting there for your school picture and you're 14 or something and you've got braces, and you don't know how to smile, and you've got a hard-on.
I did all this stuff that was illegal when I was a kid. I drank beer when I was 15. I smoked cigarettes when I was 13. I drove to New York City when I was 14 - don't tell my son. Those things were against the law, but I did them anyway. I didn't become a heroin addict, although I probably could have gotten heroin somehow. I don't think my son would buy heroin at any price. He knows what it is, and he knows how stupid it is.
The age between seven and 14 is so important. The basic techniques are in that, and afterwards it's mentality. Tactically, between seven and 14 or six and 14, they have to have good coaches and understand the basic things of football: control the ball, know where the ball is, those kinds of things.
My brother and I, we were both relatively good-looking guys growing up, but we had our awkward stages, where we were just hard to look at.
If you try to make interesting films, you're going to be disappointed most of the time. I choose just not to look at it that way. I don't look at American History X as a failure, or Fight Club as a failure, or 25th Hour as a failure, or Larry Flynt as a failure, or any of the movies that I care about that I've made that were not immediately successful. I'll stand with those movies any day over 90 percent of the movies that came out at the same time that made a hundred million dollars
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