A Quote by Jodie Foster
Knowing what paint a painter uses or having an understanding of where he was in the history of where he came from doesn't hurt your appreciation of the painting.
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Help people to meditate, because there is nothing more creative than meditation. Each art and each creativity can be tremendously enhanced by meditation. If somebody is a painter and he starts meditating, his painting will have a sudden jump, it will become tremendously profound - because whatsoever you paint reflects your mind. If the mind goes deeper, your painting will go deeper. You paint your mind. What else can you paint? You paint yourself.
What caricature is in painting, burlesque is in writing; and in the same manner the comic writer and painter correlate to each other; as in the former, the painter seems to have the advantage, so it is in the latter infinitely on the side of the writer. For the monstrous is much easier to paint than describe, and the ridiculous to describe than paint.
My sister-in-law is a painter, and I'll say, how long did it take you to paint that painting. She'll say, It took me maybe three days, but it took me all my life to get the skills to paint that painting.
No one purposefully paints a bad painting. It's someone who's trying to do a good painting, but it's terrible. I have one with a matador, and the bull is going through the blanket. You can tell the painter didn't know how to paint it.
Paint records the most delicate gesture and the most tense. It tells whether the painter sat or stood or crouched in front of the canvas. Paint is a cast made of the painter's movements, a portrait of the painter's body and thoughts.
As the decades go by, a painter's life becomes a life lived with oil paint, a story told in the thicknesses of oil. Any history of painting that does not take that obsession seriously is incomplete.
Your poems are rather hard to understand, whereas your paintings are so easy. Easy? Of course - you paint flowers and girls and sunsets; things that everybody understands. I never met him. Who? Everybody. Did you ever hear of nonrepresentational painting? I am. Pardon me? I am a painter, and painting is nonrepresentational. Not all painting. No: housepainting is representational. And what does a housepainter represent? Ten dollars an hour. In other words, you don't want to be serious - It takes two to be serious.
I think I've always been afraid of painting, really. Right from the beginning. All my paintings are about painting without a painter. Like a kind of mechanical form of painting. Like finding some imaginary computer painter, or a robot who paints.
Not every painter has a gift for painting, in fact, many painters are disappointed when they meet with difficulties in art. Painting done under pressure by artists without the necessary talent can only give rise to formlessness, as painting is a profession that requires peace of mind. The painter must always seek the essence of things, always represent the essential characteristics and emotions of the person he is painting.
When I was growing up, I wanted to be a house painter like my father, but I was always screwing up when I went to work with him. I had a talent for knocking over paint and painting myself into corners. I also realized fairly quickly that painting bored me.
Because I'm so busy and because I think of myself as a painter, I desperately guard the time that I have to paint. And sometimes I'm irresponsible to my career in order to paint. Because painting is obsessive. I forget to eat. I forget to sleep.
It is an intimately communicative affair between the painter and his painting, a conversation back and forth, the painting telling the painter even as it receives its shape and form.
I think it's a bit like saying a painter does a painting everyone loves and it's 40% blue paint, so from now on you have to paint paintings that are 40% blue. That's the film industry at its most blunt, which is why it's constantly bats and spiders and superheroes.
It is not an aesthetic misstep to make the viewer aware of the paint and the painter's hand. Such an empathetic awareness lies at the heart of aesthetic appreciation.
It often takes two to do a good painting - one to paint it, and another to rap the painter smartly with a hammer before he or she can ruin it.
In my experience a painting is not made with colors and paint at all. I don't know what a painting is; who knows what sets off even the desire to paint?
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