A Quote by Jodie Foster
I never know what's going to move me. I'm always surprised. And it's always a mystery to the people who work with me.
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I made multiple leaps where there were no guarantees that I was going to be successful. By the way, I was not always successful. But I think if you go into something new with an open mind, and you let people around you know what you don't know, for the most part they're going to link arms with you. So you can't plan a career so closely that you never make a move unless you know that it's going to work. There's always going to be risk involved in change.
It's always something special with me. You never know how and what I can do on the court. I think that's why the people like that, a little bit a mystery part of me.
People are always so surprised when they meet me. Firstly, that I'm 'so tiny', and secondly that I'm 'so sweet'. They seem surprised that they're not scared of me.
People quote lines to me all the time. I'm always surprised - everybody has a favorite movie, and they're always different. I'm always shocked. People stop me on the street and throw lines at me from 'Tales from the Crypt: Demon Knight' and 'Deep Space Nine.' 'Shawshank' happens a lot because they play it so much on TV.
Poetry never loses its appeal. Sometimes its audience wanes and sometimes it swells like a wave. But the essential mystery of being human is always going to engage and compel us. We're involved in a mystery. Poetry uses words to put us in touch with that mystery. We're always going to need it.
I guess I always think the people that know me or fans that have followed me and know my solo work would know that I've always had really eclectic tastes - even in Motley, dude.
It is always encouraging and kind when people say nice things about my work but I know that it is not me that did it then and it is not me that is doing it now. It is God living in me and for that I will always be grateful.
I am always sort of delightedly surprised when someone recognizes me because as far as I'm concerned, I'm just going to work and getting paid to act, and that alone is fantastic; I forget people watch it, too.
My mother always taught me never to look back in regret but to move on to the next thing. The amount of time people waste dwelling on failures rather than putting that energy into another project, always amazes me. I have fun running all the Virgin businesses-so a setback is never a bad experience, just a learning curve.
I think the beauty of documentary work is that it's a mystery - you never know where it's going to lead you. You start out with some notion of it, but it's very different from a script. A script you write, you shoot against, and you know what the story is going to be. There's always the element of surprise, but the surprise comes from performance, from something that's improvised, it comes from someone who sees it inside an already determined framework. In documentary, it's never determined. It's never the same, and affords enormous possibility.
The thing is, to try to talk about a performance that will never be seen again, that was only lived by the people there, it's kind of like telling somebody about your dream. You know if they love you they'll listen and smile, but they can't really get it, so there is a certain infinite quality to film that is nice. You do the work and you know it's always going to be there. The flip side is if you do bad work it's always going to be there.
I'm very efficient and the people who work with me always say that - they know when they have a day with me it's going to be really exhausting because I love to fit as much in as possible.
I hope there's always at least a small part of me that's always surprised, always taken aback, always childlike or innocent.
Every year is different. I'm not getting any younger trying to keep it going. It's always a challenge. It's like a boxer going into a ring. You never can tell what's going to work and what's not going to work until you're in action and everything is going on around you. It's very intense and always a challenge and always a thrill.
But I must go on," said the Lady Amalthea, "for it is never finished. Even when I wake, I cannot tell what is real, and what I am dreaming as I move and speak and eat my dinner. I remember what cannot have happened, and forget something that is happening to me know. People look at me as though I should know them, and I do know them in the dream, and always the fire draws me nearer, though I am awake—
Why one picture stands out among many others is always a mystery. In the beginning the subject is never quite known, but in the course of working something shows up on the film or in the print that speaks to me. I can never predict when this will happen. However, when it does there is an excitement - there is the ecstasy of recognition. And this is one of the things that keeps me going.
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