A Quote by Jodie Sweetin
Auditions are an opportunity to play and go in there and bring the character to life. The writers have it stuck in their head and haven't seen it jump off the page.
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When a place comes across vividly in a novel, it's often compared to a character. I can remember writing teachers who encouraged me to treat setting as if it were a character, to give it three dimensions, to make it come alive, jump off the page.
But the fact I'm even getting to play a character that the producer, director and writers want me to play is a rarity in the industry. You'd think it happens all the time. It doesn't. There are so many hoops to jump through to get cast in something.
I love actors. I enjoy their company, and I get excited each and every time they bring a character I've written to life. Every so often a talented actor doesn't hook in correctly to a character; or someone gets lost in a labyrinth of over-complicated thoughts, and the character and play suffer. However, most of the time I find actors either end up doing exactly what was in my head, or sometimes do something even better.
I'd love to play a gangster but I think people might say I looked a bit too young and cheeky to play a character who'd just blown someones head off!
I always view auditions as the first and last time I'll ever do a character, so that's how I like to see the joy in it. Assuming I don't ever book this, I get to play this character this one time and give it my all because I'll never play it again.
Don’t look at other people and compare yourself. Just do the work. Because when the opportunity is there, you have to be ready. Make sure your craft is refined and you’re constantly working on it. Plow through the weeds. Go to the auditions and go to the meetings and be on time. Stop looking to the left or the right. Keep your head down and keep moving.
What acting does bring that music doesn't bring for me is the opportunity is the opportunity to be completely different in every way from whom you normally are, the person that you are when you wake up in the morning is who you are in your life. But to take that and have the opportunity to be the complete opposite of that, is the excitement of it.
Well, you know, what's better? To play a character who stays stuck in the same baggage year after year, or to play a character who gets beyond that and goes to a new level?
I approach every show from the same fundamental perspective: this is a conversation, and my job is to make people leave the show feeling like they've seen something singular. It's not about smashing someone over the head from the jump-off.
You have to play the character in the best way you know how and do what you need to do in order to bring that character to life and not worry about the millions of people that you may be disappointing!
No, life cannot be understood flat on a page. It has to be lived; a person has to get out of his head, has to fall in love, has to memorize poems, has to jump off bridges into rivers, has to stand in an empty desert and whisper sonnets under his breath... We get one story, you and I, and one story alone. God has established the elements, the setting and the climax and resolution. It would be a crime not to venture out, wouldn't it?" -Donald Miller,Through Painted Deserts
You can make an interesting character in a small portion of a movie, for a character that doesn't have that much on the page, if you just find the contradictions. That's something that I try to bring to my performances.
What helps writers, and ultimately, obviously, helps the actors - who should serve the words that the writer puts on the page - is if the character has damages, because then the writers can cultivate and excavate, like a dentist going into a tooth.
There are scripts when you fall so much in love with your character. And if you are lucky and offered this part, you should not tempt your fate and go to the greatest extent to be/to play this character. If you have an opportunity to do that and you do not, it's shameful.
I used to take my car and go down to the South Island for five or six days and climb glaciers and jump out of planes and jump off bridges and go white water rafting - a bit of thrill-seeking.
It's really an organic sort of process. You start off with the character on the page. You fall in love with that character and you have to represent that character well and I think it's just an evolution there. Using the accent and speaking the lines with the accent in fact opens the door to who the character really is.
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