A Quote by Jody Hill
I think every filmmaker wants... I don't know about every filmmaker. I certainly want my films to just exist. I want them to be judged for what they are and analyzed, accepted, criticized, whatever you want to call it, on their own terms, not as part of some mall-cop genre.
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I don't want to become an ivory tower filmmaker. That sounds peculiar, but I want to be a mainstream filmmaker. I want the largest possible audience that I can find - but, of course, on my terms.
I'm a film director. Gay is an adjective that I certainly am, but I don't know that it's my first one. I think if you're just a gay filmmaker, you get pigeonholed just like if you say I'm a black filmmaker, I'm a Spanish filmmaker, I'm a whatever.
I don't want to be the Asian filmmaker; I just want to be a filmmaker. I want to be Spielberg. I want to be Tim Burton.
But I did on projects that I produced, that I directed, that I acted in because it was important. I want to be a filmmaker. I don't want to be an actor who directs, I want to be a director. I want to be a filmmaker. So that's a big difference.
Some black filmmakers will say, "I don't want to be considered a black filmmaker, I'm a filmmaker." I don't think that. I'm a black woman filmmaker.
I want to be connecting with the subconscious, if I can call it that, because there are not to many words to describe the real deep inner part of a human beingI want to be at that place where everything is blotted out and where creativity happens, and to get there I practice, you know I'm a prolific practicer, I still practice every dayYou have to have the skills, then you want to not think when you're playing, that's when you let whatever deep level of creativity, spirituality, I mean, you know these words are so inadequate these days but you want to get to this place where they exist.
I want to do some bigger films, so long as there's some sort of exciting creative element or a good filmmaker behind them.
That's a battle we are always fighting whenever we cut trailers or promos for films. We always wonder how much to say, and every filmmaker wants to say the minimum. You don't want to reveal your film and ruin the viewing experience.
As a filmmaker, I want to be known as a pan-African filmmaker and this is because I think that we have more to gain as Africans than as individual countries.
When fans think WWE, I don't want them to think Hulk Hogan or The Rock or Stone Cold Steve Austin or John Cena. I want them to think of The Miz. I want to be on every show. When we need a guy to do Conan or Jimmy Kimmel, I want them to call me. I wanna be on the cover of all the video games. I want it all.
I think the most important thing is to always be involved in every aspect of their life. To give them enough trust that they can share things with you. I don't want them to be terrified of me, you know? But I don't want them to think they can do whatever they want and get away with it, either, because they can't.
I'm a filmmaker; I want to make films. I don't want to sit in a hotel room waiting to make films, and I can control my thing in Denmark; I can make the film I want to make... of course, I have to write a good script, all that, but if I do my job, it will happen.
My children haven't read 'Winter Journal'. They have read some of my work, but I really don't foist it on them. I want them to be free to discover it in their own good time. I think reading an intimate memoir by your father - or an intimate autobiographical work, whatever we want to call this thing - you have to come at it at the right moment, so I'm certainly not foisting it upon them.
Sometimes, I think it's important to be a filmmaker first and be able to talk about whatever you want to after that.
To seek out making films that are unique and insightful, boundary-pushing and genre-bending, and not films that fit into the neat, little boxes that people "want" (expect) women to be making. In some ways, I guess for me, any filmmaker should strive to be a good director first, regardless of their gender, race, sexual orientation etc.
If you want a film and they don't want you, sometimes you have to go fight for it. Sometimes that ends up just being a meeting really, just sitting down with them and just saying here is my vision for it and here is why I really love it. But for the most part, I think filmmakers gravitate towards people that are excited - as excited as they are about the film and as passionate about it. So sometimes going after it isn't so much a function of auditioning as it is just sitting down with the filmmaker.
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