A Quote by Jody Watley

The music business is very hard on women over 22. You really have to prove yourself every time you make a record. Are you as vibrant as you used to be? Are you as sexy? So I really want to prove that a woman in her 30s can be all those things and more.
Women sometimes really love to look at other beautiful women on the screen. But they don't look at a woman the way a man looks at a woman. They want to be that woman. They like if a woman is beautiful or sexy, especially if she's powerful. They like to see her catch a man, or to be powerful in the world. I think this is why a lot of women love noir films and classic films because they can really identify with these really strong, beautiful women. That's the kind of power that women have lost culturally.
I don't really think of these as projects. I think of them as bands. I have tried to not just convene a group of musicians and make one record or make one gig and just drop it. Each of them develop over time. I have been really fortunate to keep a band like the Sextet together over three very different albums. Each time, the goal got more deep for me in terms of how I wanted to write for those people. So it is really about trying to develop ideas and trying to have a consistent focus on a way to come up with new ideas in music that I want to do.
I want to prove to people that every single business can be reinvented and fixed. And I want to prove to myself that I'm good at it.
In my opinion I really haven't done anything yet. I still have a lot to prove. I just want to prove to myself that I can play at the highest level of baseball in the world every day.
I imagine the time you really want to prove yourself is right before a wedding.
I think that's really risky to make yourself unsexy, because the business demands that women be sexy.
You're allowed to have gravitas when you've got the wrinkles to prove it, but not when you're attractive and younger - or, at least, you have to fight really hard to prove you're capable of productive thought.
What I really want to do is, first of all, get my music out to the world. And then I would really just like to reach other kids all over the world and tell them to believe in themselves and prove to people that you can do anything you want.
If you're in music, you're in music, and if you're in music you just want to keep making records and playing. That's what it's about, isn't it? At least, that's what I always thought it was about, anyway. I don't think I could bear years and years off. Perhaps in me older, older age, maybe I will, for physical reasons. But to me you've always got to keep proving yourself. I never want to just sit on me laurels. You have to keep forging, to prove yourself to yourself. I always think, every time I start a record, this could be the best thing I've ever done.
In reality shows, you have to perform once and prove yourself, and after that, it is a process to prove yourself every day.
You really have to prove yourself and prove your worth. I didn't come from family that had been here for generations and had all these connections.
I talk to women's groups all over the country and see women struggling with this. The fear of not being accepted, of being different, of not having a man, all make it hard for a woman to do what she really believes is right for her.
I don' really care what people think. I don't really have to prove anything to anybody. I just have to prove stuff to my teammates.
Do I really need to prove anything to anybody? I don't feel that I have to prove anything. The only thing that I have to prove is to myself, that I have value.
In this business, things go in waves, and I might make a record every three years. That's enough for me; that satisfies me. And it satisfies the so-called public, because they don't really need a record every year. They don't even want one.
Without strength and courage it's really hard to perform at the highest levels of international figure skating, because you're alone on the ice and you only have seven minutes over two nights to prove yourself.
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