A Quote by Jody Watley
I wanted to do Playboy to get across the same ideas I'm singing and writing about these days. It's all about proving that a woman can defy stereotypes.
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I see writing and acting as different parts of the same continuum. Writing is better for intense emotion. If you're very angry about something, you shouldn't present it as strongly when you're acting. But if you're really angry and writing about it, that's the best way to get it out and across.
For a woman to say she has had a dalliance with another woman is quite trendy these days. I do not like trendiness. Life isn't about dalliances - it's about individuals. You come across people in your life that you find very interesting. It's not about something flighty.
There's almost a Rorschach-test quality about writing about 'Playboy'. What comes out in the press is not so much about me as it is about society.
That's my goal, is to stay in a truthful place. And sometimes that means writing a silly song, or singing about sex or singing about environmental destruction or heartbreak, or my grandmother. The subject isn't what the core is about, it's about truthfulness and authenticity and that just comes from my heart and soul.
I'm more embarrassed about some of the films that I've been in than I am about Playboy. Playboy I'm actually quite proud of.
Writing was a way to get away from my life as a programmer, so I wanted to write about other things, but of course nobody wanted to publish another story about a family, unless it was extraordinary. When I began writing about my life as a programmer, however, people were interested.
What I really love about the Playboy bunny outfit, is it's all about a woman's silhouette.
When I started writing, I used the singing side of the production as a vehicle for melody and lyrical ideas. Eventually, that process of using my voice to bring ideas across became more complicated, and I felt I could use it more as an expressive tool.
I approach writing female characters the same why I approach writing male characters. I never think I'm writing about women, I think I'm writing about one woman, one person. And I try to imagine what she is like, and endow her with a lot of my own thoughts and history.
It's not about shutting people up or proving them wrong. It's about proving to ourselves what we're about.
You didn't have to read 'Playboy,' visit the mansion, wear pajamas, or even be straight: The effects of its ideas about women on the American psyche were totalizing. Women were inferior to men because, for 'Playboy,' they were scenery - pretty, passive, usually white, often blonde, there.
I thought about what I wanted to do besides playing violin and singing backup in a band. Don't get me wrong, playing and singing in That Dog was really fun, but I wanted to work on other musical projects and sing more. So I started a vocal project, i.e. Imaginaryland.
Not living in fear is a great gift, because certainly these days we do it so much. And do you know what I like about comedy? You can't laugh and be afraid at the same time - of anything. If you're laughing, I defy you to be afraid.
In New Japan, it is kept very simple. It's about proving to the other man or woman that you are the better person. And guess what? It's about championships.
I get tired of the same albums, the same look and singing the same songs. When I get bored I paint, I plant trees and just do something different. I get far away from singing.
Sometimes with certain writing, you feel like you've got to be literal, hit it hard on the nose, just to get the point across. Good writing is more subversive I think - or good scenes. They are about one thing on the page but you can make it about something completely different.
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