A Quote by Joe Alwyn

At the end of the day, you're trying to - be it on theatre or on the camera - tell the truth and be honest in the moment. — © Joe Alwyn
At the end of the day, you're trying to - be it on theatre or on the camera - tell the truth and be honest in the moment.
My career has taken so many different paths to this point that I've come to realise that we're all the same, everywhere I've been. We're all just creatures trying to tell stories as good as we can, so whether that's in a tiny theatre or as part of the biggest multi-million dollar film, we're all still just trying to tell a good story at the end of the day.
I tell the truth, and it has gotten me into a lot of trouble. My dad used to say to me, 'If you tell the truth all day long, you will end up in jail.'
As an actor, what I can do is tell the truth. At least, I hope I can tell the truth - a dramatic truth, but still an honest portrayal.
The idea of having dinner together every day with your family removes the pressure from trying to explain everything. You tell us the good parts about your day, but you also tell us the bad parts about your day. And at the end of that, because you're in a ritual, you remove the pressure of admitting you had a failure that day. And it also takes the wind out of having a great day. I mean, it makes you a little bit more normal all the time. That moment of therapeutic sharing is something that happens in food, that doesn't necessarily happen when you're watching TV.
At the end of the day, what I show is real life. I tell the truth. And the truth can be shocking.
You know, I'm one of millions of undocumented people in this country who are living kind of under the shadows. And in many ways, coming out, it was my way of - at the end of the day, I think we have to tell the truth about this immigration system. And because of that, I had to tell the truth about myself.
I hope we'll be able to see that in our lifetime: the end of the camera! When I'm in Paris, I'll buy a big bottle of champagne and I'll save it for that day, for the day when they'll be no more camera.
To live in the light of a new day and an unimaginable and unpredictable future, you must become fully present to a deeper truth - not a truth from you head but a truth from your heart; not a truth from your ego but a truth from the highest source. You have to be willing to be deeply honest with yourself about the shape your life is in each day.
Tell the truth. If you tell the truth all the time you don't have to worry three months down the line about what you said three months earlier. Truth is always the truth. You won't have to complicate your life by trying to cover up.
Be it 120 frames or 24 frames or film or theatre, you're trying to be a fully formed human being and trying to be honest.
If you tell the truth all day long, you will end up in jail.
It's very difficult to measure the impact on policy of any investigative journalism. You hope it matters to let a little more truth loose in the world, but you can't always be sure it does. You do it because there's a story to be told. I can tell you that the job of trying to tell the truth about people whose job it is to hide the truth is about as complicated and difficult as trying to hide it in the first place.
Documentaries are inherently instinctual; you're constantly moment to moment, determining what the best place for the camera is to tell the story, usually in service of natural lighting.
I can tell you what I personally use a camera for. Basically, it is to record a moment. A moment that is vital to give the viewer a sensation of liveliness, sadness, joy and so on.
Art- speech is the only truth. An artist is usually a damned liar but his art, if it be art, will tell you the truth of his day and that is all that matters. Away with eternal truth. The truth lives from day to day, and the marvelous Plato of yesterday is chiefly bosh today.
I feel like doing theatre helps my on-camera work and my on-camera work kind of helps my theatre work. So I love to be able to bounce through the mediums.
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