A Quote by Joe Average
At twenty-seven years old, I was diagnosed HIV. Three years later I decide to dedicate the remainder of my life to art. Leaving work and refusing the assistance of Unemployment Insurance or Welfare, I challenged myself to live completely through my art.
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Today it's not strange to see an artist 30 years old having her first retrospective! Different time, different speed. After having been the key point of recognition for an artist, the museum today is just another place to experiment and work, like we can do in any art fair. The king or queen of the moment is completely ignored and replaced by the new one a few years later. Contemporary novelty in art disappears faster than the seasonable changes of the fashion designs.
I worked in an art gallery for a few years, doing administrative assistance stuff, and it exposed me to what the whole world of art dealers and the art market was about.
It's odd. Though I've spent years working with and creating images, I feel most comfortable expressing myself through writing. I'd been in denial about this for many years. At school I was highly lauded as having the potential to write one day, but being a typically rebellious and misguided teenager I opted to study art. Ironically language has pervaded all the work I have done - from my first forays into an art practice many years ago to my work with typography and book design.
The first life insurance societies where formed in England in the years between 1692 and 1720. In America, life insurance became available to the clergy through the Presbyterian Ministers Fund, founded in 1759 (still in existence), and the Episcopal Corporation, founded ten years later (subsequently merged).
There were nineteen years between my grandparents, and I was in a relationship for five years from the age of fifteen to twenty with a man who was thirteen years older than me who remains one of the loves of my life, and he passed away when I was twenty years old.
This man, who for twenty-five years has been reading and writing about art, and in all that time has never understood anything about art, has for twenty-five years been hashing over other people's ideas about realism, naturalism and all that nonsense; for twenty-five years he has been reading and writing about what intelligent people already know and about what stupid people don't want to know--which means that for twenty-five years he's been taking nothing and making nothing out of it. And with it all, what conceit! What pretension!
Came out my mama's pussy, I'm on welfare. Twenty-six years old, still on welfare.
When I was first diagnosed with ALS, I was given two years to live. Now 45 years later, I am doing pretty well.
When you're somebody who has the pretension to make art, it's completely different from when someone else says I want to make a book of your art. You don't decide the title, you don't decide the size, the order of the photographs . . . so it's completely out of control!
Art is difficult. It's not entertainment. There are only a few people who can say something about art - it's very restricted. When I see a new artist I give myself a lot of time to reflect and decide whether it's art or not. Buying art is not understanding art.
...I'm thirteen years old, and I think I'm at the crossroads of my life. I've got to make good between now and the time I'm twenty, and I have only seven years to do it in. Besides, I'm the father of my family and I've got to earn all the money I can.
I left Brazil at 17 years old in order to give my family a better life, but when I returned home two years later, I was completely disillusioned with football.
My idea in Half the Kingdom was simply, or not so simply perhaps, that medical science has given us twenty extra years of life. Those twenty extra years - one is grateful for them, one is happy, but they also give you ten or twenty years more of losing your faculties. That is actually the origin of my notion. Once you live longer than you're supposed to live, things go dreadfully wrong. But nevertheless, you're not dead.
It took me twenty years to get Steven Parrino's work. From the time I first saw his art, in the mid-eighties, I almost always dismissed it as mannered, Romantic, formulaic, conceptualist-formalist heavy-metal boy-art abstraction.
I loved everything about show business, meeting the stars, the whole ambience. I was living every young kid's dream. I was told a pop singer's life was three years, but I was still making money seven years later.
The best tool today is longevity insurance - they call it income insurance. Most people know the value of life insurance. But what if you live? So instead of trying to guess one or the other, you plan for those 20 years and you get this income insurance. If you live beyond 85, you have money that's guaranteed for as long as you live in the form of an annuity.
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