A Quote by Joe Average
I then discovered the Pop Art of Warhol, Lichtenstein, and Peter Max. I was inspired that these fun and colourful images could be presented seriously on canvas.
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When I went to college, and I went to art school, I started to realize that Warhol was cool and that pop art was fun.
Warhol and other Pop artists had brought the art religion of art for art's sake to an end. If art was only business, then rock expressed that transcendental, religious yearning for communal, nonmarket esthetic feeling that official art denied. For a time during the seventies, rock culture became the religion of the avant-garde art world.
The only thing the Pop Artists had in common is that we all had been commercial artists in some manner. Lichtenstein was a draftsman; I was a billboard painter, but we didn't work together. I didn't meet Andy Warhol until 1964.
Take an exhibit, in the days when we saw the Pop art - Andy Warhol and all that - tomato soup cans, etc., and coming home, you saw everything like A. Warhol.
If Abstract Expression reached for the sublime, Pop turned ordinary imagery into icons. Roy Lichtenstein and Andy Warhol illuminated the transformative power of context and the process of reproduction. Claes Oldenburg's soft ice-cream cones and hamburgers changed sculpture from hard to soft, from stasis to transformation.
Andy Warhol: I think everybody should like everybody.
Gene Swenson: Is that what Pop Art is all about?
Andy Warhol: Yes, it's liking things.
Andy Warhol defined Pop Art.
Appropriation was the language of my generation in many ways. It came out of Duchamp, Warhol, Johns, Lichtenstein.
When I was a kid and started to be obsessed by art in the 1980s, the art world was in this polarity Warhol/Beuys, Beuys/Warhol. Both expended the notion of art extremely, but in very different ways.
I can be inspired by anything. It can be from an artist, I love Georgia O'Keefe, de Kooning, Jackson Pollock, Lichtenstein, Koons- I love them all. I can be inspired by an artist, a dream, something that I pass by, I was even inspired by a commercial! A commercial of whale war- I was so sad that people were killing whales to extinction, so I made a painting of that. So I can really be inspired by a lot of things.
I went to art school, wanting to be a painter and then I got into photography. Then it was movies, and I liked the images. One of the things that interested me in film was that I was communicating in images. That was something I did intuitively and could not even talk about until I started having to do interviews.
Warhol had resonance because it was high art and low art. And you could argue about it endlessly.
In the sixties, the recycling of pop culture turning it into Pop art and camp had its own satirical zest. Now we're into a different kind of recycling. Moviemakers give movies of the past an authority that those movies didn't have; they inflate images that may never have compelled belief, images that were no more than shorthand gestures and they use them not as larger-than-life jokes but as altars.
Warhol's images made sense to me, although I knew nothing at the time of his background in commercial art. To be honest, I didn't think about him a hell of a lot.
So, did I work with Warhol? I worked with him less on that play then I did on other things. He actually did a portrait of my rabbit and some other stuff. Warhol was definitely... Warhol.
Life in 'Blue Peter's' world is always presented as happy, positive and fun. It's an adventure that you have to make the kids believe they want to join in. There are no marks for being a scaredy-cat.
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