A Quote by Joe Bastianich
Selling wine is all about sizing people up, and it takes a certain amount of chutzpah. The tableside bottle sell is a very funny thing - you take a look at the guy's blazer, what kind of shoes he's wearing, what kind of broad he's with. Is he trying to be a hero?
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Broadway is a very different kind of place. It's kind of like Nashville in that there's a certain amount of people that are involved, and those people are what run it.
When you are giving a certain portion of your life to people and you're selling it sexually, you're selling it sensually, and you're selling it romantically - for you to then take that portion that you give only to fans away and to give it to one person, it kind of... if they don't approve, it might be crickets for me.
The great thing about Burgess's work is the dichotomy of making the hero or anti-hero an immoral man. And that's what makes it interesting. Because, you know, you are sucked into kind of like this guy.
For a stretch of time, I got really caught up in the idea that what people liked about my work was that I was a young guy who was trying to be cool by writing about young people and a certain kind of Bay Area culture that I was tangentially a part of.
In the early '90s, my parents weren't really drinking wine. They had a bottle or two laying around, but it had been a stigma where a bottle of wine had to be for a super special occasion. A bottle of wine had to go with a steak. And it was this thing that seemed so distant.
The interesting thing about the Beatles was: The music was one thing, but we kind of symbolized a certain kind of freedom at a time when people of our generation were just growing up and just becoming adults.
I'm now wearing suits on stage, so I've kinda stepped up my game as far as image. Which I have to admit is kind of a pain the butt, but it's fun. It gives you a certain amount of confidence to walk on stage and look nice, but I can't say that I'm totally buying into the whole image factor.
I look like the kind of guy who has a bottle of beer in my hand.
I have close to 300 pairs of shoes. I'm fortunate enough to be in a position to get any shoes I want. So I have a pretty nice collection. It's pretty valuable. It's funny when sometimes I buy a pair of shoes and I look on eBay and it's already selling for $500. I just wanted to buy those shoes to wear them!
Kind of the exhausting thing about doing pure comedy, or something that's broader, is you're kind of a slave to the laugh. If it's not funny, then there's not much point in doing it. The kind of über-objective is to make people laugh. You always have to have that in the back of your mind, "Eh, I've got to figure out a way to make this funny."
Kind of the exhausting thing about doing pure comedy, or something that's broader, is you're kind of a slave to the laugh. If it's not funny, then there's not much point in doing it. The kind of ueber-objective is to make people laugh. You always have to have that in the back of your mind, 'Eh, I've got to figure out a way to make this funny.'
Growing up, we never got to see a hero who didn't have superpowers who looked like us, that you could kind of look to and say, 'I could be that guy one day. I could be a patriot. I could be a soldier. I could work in the government and be a hero.'
We sat around on a hotel balcony with a bottle of wine and tried to figure out how you would go about blowing up a planet. That's the kind of conversations science fiction writers have when they get together. We don't talk about football or anything like that.
(Guy) Pearce, as the hero, makes the mistake of trying to give a good and realistic performance. (Jeremy) Irons at least knows what kind of movie he's in, and hams it up accordingly.
When I started out, at 19, I was told, by the media and the film industry to do a certain kind of films and work with certain kind of stars. Coming from a non-filmi background, I did not know how to go about it, as there were different people trying to push me in various directions.
I guess if there's one thing that might surprise people about me, it's that I'm very obedient. I'm kind of like a dog. I look at acting as kind of a service industry. You're there to serve the writer and the director. I don't really look at it as an act of self-expression, like I'm going to say what's on my mind.
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