A Quote by Joe Berlinger
I don`t know the facts surrounding Andrew Jarecki`s work. I think it`s a triumph of television. But it does raise troubling issues that I think we as a documentary community, you know, need to address.
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I think being biracial is a different experience. I think that, and coming from the U.K., I feel as much white as I do black. And so it's really important for me to address these issues of identity in my work. But also, you know, we're always stronger when we work on, you know, what we have in common. And I love exploring that in my work.
I don't like realism. We already know the real facts about li[fe], most of the basic facts. I'm not interested in repeating what we already know. We know about sex, about violence, about murder, about war. All these things, by the time we're 18, we're up to here. From there on we need interpreters. We need poets. We need philosophers. We need theologians, who take the same basic facts and work with them and help us make do with those facts. Facts alone are not enough. It's interpretation.
This is the era of television and media. If you do not raise issues, then people say that the MLA does not speak in the House. You have to play an effective role in the assembly. Raise issues related to your area.
I think if you're out there trying to raise capital, and you're a woman, and you're in tech, I think what you need to do is find people to work with who know you and believe in you.
Honestly, I don't think that the policies and issues surrounding guns will be easily figured out in our country, but we need to take a close look, and we need to have a conversation around those issues.
I think for television generally, the question that often arises is, "Does television lead, or does it follow?" You know, does it lead the conversation, or culture, or does it follow what's going on? And I think it does both.
There seem to be only two kinds of people: Those who think that metaphors are facts, and those who know that they are not facts. Those who know they are not facts are what we call "atheists," and those who think they are facts are "religious." Which group really gets the message?
Two parents can't raise a child any more than one. You need a whole community - everybody - to raise a child. And the little nuclear family is a paradigm that just doesn't work. It doesn't work for white people or for black people. Why are we hanging onto it, I don't know. It isolates people into little units - people need a larger unit.
I don’t believe there are two sides to every argument. I think the facts are the center. And watching the news abandon the facts in favor of “fairness” is what’s troubling to me.
I don't mind the homosexuality. I understand it. Nevertheless, goddamn, I don't think you glorify it on public television, homosexuality, even more than you glorify whores. We all know we have weaknesses. But, goddammit, what do you think that does to kids? You know what happened to the Greeks! Homosexuality destroyed them. Sure, Aristotle was a homo. We all know that. So was Socrates.
Writing can be such a lonely endeavor that I do think community is also important.Meeting at cafes and exchanging work and reading to each other and giving each other little bits of encouragement and feedback and thoughts, I think that's an incredibly rich experience because what it does is it gives you a sense of community but also purpose. If I know I'm going to meet you in a cafe next Tuesday, I'm going to write something that I can hand to you. Discipline is such a challenge for so many writers and so I think that that's a key benefit of being in a group.
I think we realized the depth of frustration through the current political process. So we said, "OK, we know there's a serious problem here, we know we need to work on it," and now it's "Oh, we need to work on it a lot faster."
I think you know, to not open your mind to television is silly because there's so much good work happening on television.
I think the beauty of documentary work is that it's a mystery - you never know where it's going to lead you. You start out with some notion of it, but it's very different from a script. A script you write, you shoot against, and you know what the story is going to be. There's always the element of surprise, but the surprise comes from performance, from something that's improvised, it comes from someone who sees it inside an already determined framework. In documentary, it's never determined. It's never the same, and affords enormous possibility.
I think documentary filmmakers need as much protection as possible under journalist's privilege. How else is the public to know what is going on?
You don't have to give us your name and we don't ask for your email address. We don't know your birthday. We don't know your home address. We don't know where you work. We don't know your likes, what you search for on the internet or collect your GPS location. None of that data has ever been collected and stored by WhatsApp, and we really have no plans to change that.
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