A Quote by Joe Berlinger

You have to remain open to the situation that you're filming otherwise you might miss the story. — © Joe Berlinger
You have to remain open to the situation that you're filming otherwise you might miss the story.
I have 16 plays, and we don't ever do subtitles. You can't do subtitles in the theater, so I was like, 'I'm not gonna do subtitles.' You'll never lose the story. There might be a little joke that you might miss, but you'll never miss the story, even in the Spanglish of it.
Never lose sight of what you're trying to say, and remain open to what's happening while you're filming.
Just as our taste in lovers is far more revealing than our choice of friends, the object of an artist's obsession can open up doors to their soul that might otherwise remain shut tight.
Otherwise I got out of bed on two strong legs. It might have been otherwise. I ate cereal, sweet milk, ripe, flawless peach. It might have been otherwise. I took the dog uphill to the birch wood. All morning I did the work I love. At noon I lay down with my mate. It might have been otherwise. We ate dinner together at a table with silver candlesticks. It might have been otherwise. I slept in a bed in a room with paintings on the walls, and planned another day just like this day. But one day, I know, it will be otherwise.
It might sound odd, but filming a soap is closer to acting in a play than filming episodic television.
If you acknowledge that filming is an occasion where people express things they might not otherwise express, that offers a much more insightful analysis of why documentaries - even of the fly-on-the-wall variety - are powerful.
I try to enjoy a movie or a television programme just like anybody else. I'd love to be emerged into the story and watch it, but if you work a lot as an actor, in any aspect of the industry, things might arise in a programme that somebody might miss, whereas it might catch your attention.
I think facts and truth are essential to journalism but you need to reckon with emotion. You have to deal with how people feel, otherwise you miss the story.
Oh,Sara. It is like a story." "It is a story...everything is a story. You are a story-I am a story. Miss Minchin is a story.
When you make movies, you have to be preoccupied with the social problems, otherwise there is no point in making a movie. To have a story, you need a social problem. Not necessarily a problem, but something to get the idea for a story, otherwise there's no story.
Once you allow yourself to identify with the people in a story, then you might begin to see yourself in that story even if on the surface it's far removed from your situation.
How did the rose ever open its heart and give to this world all of its beauty? It felt the encouragement of Light against its being; otherwise we all remain too frightened.
Theological writing is usually done in essays or books, but I hope to show that if we concentrate on sentences, we may well learn something we might otherwise miss.
In 'The Darkest Minds,' Zu's trauma manifests in her choosing to remain silent. It's her one small way she can feel in control of her otherwise uncontrollable situation.
Be what you would seem to be - or, if you'd like it put more simply - never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.
Your natural inclination is to preach and to warn other travellers of snags in the path, but isn't it better to signal to them some of the joys by the way which they might otherwise miss?
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