A Quote by Joe Biden

Matter of fact, the way we got a path, a great friend, Arlen Specter, I convinced him to switch parties. Not a joke. Not a joke. He was the deciding vote. — © Joe Biden
Matter of fact, the way we got a path, a great friend, Arlen Specter, I convinced him to switch parties. Not a joke. Not a joke. He was the deciding vote.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
Often, when you're in some of these writing rooms for... and the most restrictive is network television, right? They say, 'Wow, that's a great joke, but we can't do that. Okay, let's try the second joke. Oh, you can't do that one. But the third joke you can do,' and hopefully it will be great, but it will remind people of what the joke really was.
When I was governor, if I told a joke in front of the press - I learned. I would go, "That was a joke, joke, joke," and I'd say it three times.
Senator Arlen Specter hasn't really switched parties; he's simply realized he cannot win the Pennsylvania Republican primary election
Senator Arlen Specter hasn't really switched parties; he's simply realized he cannot win the Pennsylvania Republican primary election.
The fact that 'Mom' is not joke, joke, joke - and is investing in these characters and their lives, things that really happen to people - I think it's resonating, and that's why people are tuning into it and not just dismissing it as a multi-cam sitcom.
In all of Western civilization, there have been societies that celebrating the homosexuality, the ancient Greeks. But they, in fact, protected the institution of marriage as a union between one man and one woman. They got the joke. And the American people get the joke.
I like that we don't have to come out the first 10 minutes and score, you know, with joke, joke, joke. We can open it in a more novel way and keep playing different pranks as we go through the thing.
A joke is either funny or it's not funny. If I hear a funny joke, you know what I do? I laugh, that's what I do. I don't start a focus group to see who got hurt by the joke.
I used to think of it as a joke that all paranoids were right. That was a joke in the '60s, but now I'm convinced that people should be paranoid reflexively - and then pare it down from there if there's any indication that they're wrong.
What you never want to do is have a story that doesn't track emotionally, because then you're going joke to joke and you're going to fatigue the audience. The only thing that's going to string them to the next joke is how successful the previous joke is.
I have become a giant fan of the testing process, especially with a comedy. I mean, they tell you what's funny. It's almost tailor-made for people who shoot the way we shoot, trying a million different options and versions of things. Because the audience doesn't laugh at a joke, we put in another joke. If they don't laugh at the next joke, we put in another joke. You just keep doing them and you can get the movie to the point where every joke is funny, if you have enough options in the can.
This specter of the female politician, who abandons her family to neglect for the sake of passing bills in parliament, is just as complete an illusion of the masculine brain, as the other specter whom Sydney Smith laid by a joke,--the woman who would forsake an infant for a quadratic equation.
Twitter is a good medium to lean how to write jokes. It pushes you to write a better joke in that, on Twitter, the first joke about something has already happened. You need to think of the second joke and the third joke.
There's this joke that Anna Drezen wrote for Melissa Villasenor, where Melissa plays every teen-girl murder suspect on Law & Order.' And there's this joke in there that is like, We stabbed her as a joke, but she took it the wrong way and started bleeding!'
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