A Quote by Joe Bonamassa

When you play a gig in Poland or Australia, or you play a gig in Toledo, they all clap at the same parts of the show. They're clapping for the solos in the exact same way.
When I first started drinking, it was working for me. It was great. Like when you're doing a gig and you're in a band and you're in the truck and there's nothing to do in the truck and the gigs are all the same and the hotels are all the same...it's the hotels, the car, the gig.
Not that I play guitar anywhere near as well as she sings, but I think I have always had a tendency to play solos the same way, in emotional relation to the structure of the song. I choose simple lines, and only play what seems emotionally relevant, and often express that emotion in time, that is in play or resistance to the set time of the song.
If I didn't get paid to play this game, I'd still play it the exact same way, with as much intensity and as much focus as I play it with now.
Politicians that proclaim big words without meaning rule in democracy. At best they allow themselves to discover that it's better to be rich and healthy than sick and poor and that it is necessary to care for 'good of Poland" - clap clap, hurricane of clapping.
We used to look at each other and say, 'We play the same game with the same rules, the same bat, the same ball, the same field. What the hell does color have to do with it? You don't play with color. You play with talent.'
Post-'Daily Show' has been so busy, which I've been surprised about. We're basically independent contractors in a way. So you have one gig, and you're worried about never getting another gig again, or at least I do.
I always do that at the end of shows, like a Q&A session. First of all it lets people know that this isn't some preprogrammed, press-play show where I have to say the exact same words in the exact same order. That's part of the thing with live comedy is that people like the fun aspect of it and I enjoy the taking questions part.
We all lived in the same house, or most of us did. And as far as I can make out we were confined to the property, because at twenty-four hours' notice we'd have to do a gig somewhere. So you couldn't leave the building for more than twelve hours in case a gig came through.
Growing up, my parents did everything they knew how to do to support me. My dad was always kinda my roadie; he drove me from gig to gig. But I got my own gigs. I was this 12-year-old kid, shuffling business cards, calling people, telling them I wanted to play.
In Europe, everybody does that. Every team goes looking the exact same way every time to play. Depending what is your team, you can go all with the same sweats, you can go all with the same suits, but usually everybody dresses to travel the same.
The weird thing about the subway is no one looks at each other. So I play the O2 in London. It's a 20,000 capacity venue, and then I'll take the subway to my gig, and everyone's going to my gig, and no one looks at you. If anyone does, they say, 'Hey, you look exactly like James Blunt, only smaller.'
My father told me when I first started that standup is exciting and I should pursue it, but that writing would be the thing that would give me power over my career. I never have to take a road gig or a writing gig I don't want because I always have the ability to play one against the other.
Every acting gig isn't the same, every writing job isn't the same, every live performance isn't the same - the challenge is the level of difficulty or ease, and that may vary.
My belief is whether I'm the starter, whether I'm the backup, I'm going to show up the same exact way. I'm going to prepare the same exact way, and I'll always be ready to go.
When people say, 'I don't like laughter on a TV show', I think, 'How do you cope when you're watching a stand-up gig live?' - it's the same thing!
Americans are getting like a Ford car, they all have the same exact parts, the same upholstering and make exactly the same noises.
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