A Quote by Joe Bonamassa

I've never been known as a riff kind of artist. — © Joe Bonamassa
I've never been known as a riff kind of artist.
The great artist when he comes, uses everything that has been discovered or known about his art up to that point, being able to accept or reject in a time so short it seems that the knowledge was born with him, rather than that he takes instantly what it takes the ordinary man a lifetime to know, and then the great artist goes beyond what has been done or known and makes something of his own.
When I write a song, it's all about the riff - the riff first, then the words come later.
To be a truly conscientious artist, you have to look at what's not working and challenge it. You riff on things.
I sleep music. I wake up, and there's a riff in my head. Every step I take, there's a riff, a beat, or something.
'The Cabin at the End of the World' is my riff on the 'home invasion' subgenre of horror/suspense. Hopefully it's a big, loud, dark riff.
I think that if someone told me I could have been a visual artist, I might have been a visual artist instead. And if I'd known I could have done art history, I would have done that. But I just didn't know.
To me, the hook of the riff is what makes a great guitar recording. It's the backbone of the whole song. When you have a strong riff, it's the rocket fuel for the track.
You can have the best riff in the world, but if the drums behind it just ain't vibing it, it's not gonna be the greatest riff, right? So you've gotta have someone there that can really bring that to life.
If you have a good riff with a vocal as well, then it becomes a devastating song. That's why people love riff-rock: it's the ultimate air guitar music.
I never considered myself an artist. I aspire to be an artist, but I never thought I had the depth or substance or gift to be an artist. I do think I have some talent, but it doesn't go as far as being an artist.
Once, this had been the life I’d wanted. Even chosen. Now, though, I couldn’t believe that there had been a time when this kind of monotony and silence, this most narrow of existences, had been preferable. Then again, once, I’d never known anything else.
Always feeling secondary and just being a voice rather than known as the song writer and artist... it's been a challenge to even get music videos of most of the features I'm on, so I'm pleased people are starting to recognise me as an artist in my own right.
I've been a signed artist, but it's only been a full year-and-a-half. I'm still kind of new to money and this kind of lifestyle, so me being in a messed up predicament wasn't too long ago.
I just really feel so grateful to Sundance because I've always been an artist and I've never been able to make a living at being an artist until Sundance.
Jive never saw any value in me as a long-term artist. Even as I was doing it they were like, 'You're not really the kind of artist that we'd spend our money on.' They never saw the value of Too $hort and E-40.
I've never sampled just one artist, I'm known for my reputation and my creativity.
This site uses cookies to ensure you get the best experience. More info...
Got it!