A Quote by Joe Bonamassa
I'm probably a more intentional acoustic player than I am an electric player because of lack of influences. I just play acoustic to see what happens.
Related Quotes
I play acoustic when I need to play acoustic, and I say I'm probably a better acoustic player than I am electric.
I've always been an acoustic guitar player, and I've pretty much continued to play acoustic guitar throughout all of the Sonic Youth periods. My material for Sonic Youth often started on acoustic guitar.
One thing I really hate about people who play both acoustic and electric is if they try to play electric style on an acoustic guitar. You must develop it as a totally different thing.
I sit around and play acoustic guitar - usually acoustic, sometimes electric, occasionally piano, but more often guitar, just trying to come up with tunes. Ideas kind of pop into your head.
I've found that since I've been playing the acoustic, listening to a horn player has left me thinking, well, what can I do with that? But somehow piano players, I feel more of a connection to , now that I'm using the acoustic.
There are a lot of cases where I'm using, if not an acoustic guitar, an electric guitar more as a rhythm instrument. Rather than blasting away, I use it to create more of an acoustic feel.
I'm glad I can do both full-band electric and solo acoustic performances. It's nice to have contrast, so if you get fed up with one, you can just switch to the other one. It's great to go to a town and play an acoustic show, and then you can come back a year later and play electric, and the show's really fairly different. The repertoire will be 50 percent different. The musical energy is completely different.
Everybody besides my piano player has been with me since the very first day. We were a four-piece band for a solid two years. It was me playing acoustic and rhythm electric guitar, a bass player, a drummer and a lead guitar player. For a couple of years, we sounded like the Foo Fighters.
I gave a Collings dreadnought to a young guitar player in the Valley where I live because he didn't have a good acoustic, and he's a terrific player.
I even played bass for a while. Besides playing electric guitar, I'd also get asked to play some acoustic stuff. But, since I didn't have an acoustic guitar at the time, I used to borrow one from a friend so I could play folk joints.
The first thing you realise very quickly when you decide to do an acoustic version of an electric song is your solo either becomes either very truncated, very different, or non-existent, because even if you play a clean solo, it's different with the Kryptonite... with the acoustic.
I'm not like other guitar players. In fact, I'm not even like most acoustic players because I use the nylon-string acoustic. I do play steel-string and the electric guitar, too, because I love rock 'n' roll and guitarists like Jimi Hendrix. But my bread and butter has always been the nylon-string.
When you have an acoustic bass in the ensemble it really changes the dynamic of the record because it kind of forces everybody to play with a greater degree of sensitivity and nuance because it just has a different kind of tone and spectrum than the electric bass.
Sometimes we'd just play acoustic guitar and try out the parts and make a library. We'd use a double cassette player and make little edits.
I'm pursuing soundtrack work in the southern California area and down the line I plan to make a moody, intense acoustic album. Not all acoustic, but an acoustic - oriented guitar record that I've already written most of the material for.
For me, the best thing I can do is play live. The best way for me to put over what I'm trying to do is to play live. Whether it's an acoustic show, electric or whatever... if I shine at all, that's where it all really happens - it just took me a while to rediscover that.
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