A Quote by Joe Bonamassa
If you have a good riff with a vocal as well, then it becomes a devastating song. That's why people love riff-rock: it's the ultimate air guitar music.
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To me, the hook of the riff is what makes a great guitar recording. It's the backbone of the whole song. When you have a strong riff, it's the rocket fuel for the track.
When I write a song, it's all about the riff - the riff first, then the words come later.
There's such a huge difference between a great arrangement of riffs and a song. Sometimes the two can be the same. But the difference is a song doesn't necessarily need a riff, whereas a riff doesn't necessarily mean you've got a good song on your hands.
It was Scotty Moore's guitar riff [in "I Want You, I Need You, I Love You"] when he was doing The Steve Allen Show that got me into rock music.
If you take the riff from the song 'Cowboys From Hell' and really break it down, it's almost a hillbilly guitar riff: dekka dekka dekka dekka dekka dekka dekka dek.
It was really different this time, because we did everything in the studio and thought out the writing and song structures. Before this album ["The Black Crown"], we used to just write riff after riff and then worry about the rest of it later.
I came to work one day, and Ricky was playing music on his guitar, just snickering. He played me the riff that turned out to be 'Rock Lobster,' and it was hilarious. He was just trying to be funny. His guitar style made it moodier, and it really is a driving song, but it does have that funny humor to it.
I sleep music. I wake up, and there's a riff in my head. Every step I take, there's a riff, a beat, or something.
When you think of rock and roll and metal, a lot of it is based around the riff. If you can sing over the riff and what the arrangements are going to be like, you have to leave space for what most people consider one of the most key essential parts, which is the vocalist.
I usually start with a guitar riff or some little pattern of chords, and then I kind of go from there. Usually my lyrics are the last thing to go onto a song. For years and years I only ever did instrumental, so I'm still trying to get confidant with my lyrics and find the right balance. I'll generally get inspired from the music. I'll have a guitar line, and then I'll have a melody line, and I hook the lyrics up to fit that rhythm. So, my lyrics to tend be very rhythmic as well. They work with the music rather than the music works around them.
I love a good Slash guitar riff. It's sexy!
I don't play a lot of instruments so when it comes to the song writing process I don't have a lot to do with that. A lot of times it's just acoustic guitar and a small riff that produces a song. Ultimately you want to write a song that people are going to enjoy and that you love to play, most importantly you have to write it for yourself first.
I don't want you to play me a riff that's going to impress Joe Satriani; give me a riff that makes a kid want to go out and buy a guitar and learn to play.
There was no better entrance in history than The Ultimate Warrior. It was the greatest entrance between the music that had that guitar riff, and that face paint, and the tassels, and the gear. It was the greatest!
One of my favorites has always been 'Swap Meet.' One of the reasons why I like that is it's a song that's in a drop-D tuning, and of course, also being a guitar player, it's one of the songs that I really like the riff on it.
But the classic Tenacious D songwriting is Jack or myself will have an idea - I might have a riff - and we'll improv. And once Jack's feeling it, we turn on the tape recorder and start jamming, improv on that riff, improv on those lyrics, and then go back and see if there's anything good in there.
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