A Quote by Joe Bonamassa

When I write for an album, I'll always have about 30 different types of instrument around me. I set them up in a small room with my computer running GarageBand, which is always set to record.
The awkward thing is the people in the room besides us. It's not us. It's just the 20 or 30 people that are around on set, who normally wouldn't be on set. That's always interesting.
People would always try and set me up, which was awkward. You can't set me up on a blind date because she will automatically know more about me.
The best way to do that is to pick up a new instrument or an instrument that you don't typically write on and see where it takes you. Whether it's using an acoustic guitar, or piano, or electronics as tools, all of these lead to creating different types of songs and I used all of these methods for this record.
Sometimes I just experiment quite a lot. I've always got my computer set up to record so I'll just record a sort of library of ideas [that] I'll either come back to or use as they stand.
I always wanted to make a three-record set. 'Sign o' the Times' was originally supposed to be a triple album, but it ended up as a double.
For me, I've always been intimidated by the computer coming from the era of record industry and record stores and buying records and looking at album covers, waiting in line for records when they came out and then ultimately being successful in a band where we recording pre-computer era.
I read the reviews sometimes, but I don't let it really affect the next album because, for me, when I approach an album, it's usually coming to me pretty naturally. It's not like I set out, like, "Okay, I'm going to write an album this month." It's more like I'm just always writing songs and eventually I start to realize that a group of songs sort of fits together, and I go from there in putting together the album and themes and artwork and things like that.
My first instrument was my voice. I was always singing and writing melodies when I was a little kid. I just sort of taught myself whatever was around. If there were instruments around, I'd play them. I always liked the idea of not being shown but coming up with my own energetic connection to the instrument.
I was talking to my dad about the stuff he grew up listening to, and 'Operation: Mindcrime' is a record that he had always talked about around the house. He always talked about it as the 'greatest concept album of all time.' One day, I started listening to it, and it just hit me. I was like, 'These songs are all hits. They're all huge songs.'
I definitely isolate, but I also always have people in front of me, and I have to be OK with that. I'm in a business where, on the set, you're around two hundred people every day, and if you're high on the call sheet, you sort of set the tone for the set. And you want people to feel appreciated, and you want to ask them how their kids are. You want to talk to people and invest in them and let them know that they're appreciated and heard. But then I do like to just kind of withdraw.
Growing up, I always wanted to always be something new. I thought if I was an actress, I would have a chance at doing it all. What's incredible about this profession is every role you play; you learn a different skill set. That really appealed to me.
I'm kind of a tech person, a nerd. I've always been the person who, when we got our Christmas presents, knew how to work them and set them up; the racecars, whatever. Sit me down in front of a computer program, I'll be fine.
Auditioning and actually acting on a set are two different things. When you audition, you're in a room and you don't have anything to play with and you don't have anything physically in the room. Whereas on set, you have direction, you have costumes, and you have other actors to work with. It's a completely different thing.
At the end of the day, it is about the album and book and also about setting the record straight, because 'American Idol' has done a great job of defaming my name and throwing a lot of mud at me for the past two years. So that set up a lot of roadblocks for me.
I grew up the son of a director and grew up on sets myself, so I was the kid getting dragged around from this set to that set and I loved it. There's something about it which is really interesting.
Unlike the heart or kidney, which have a small, defined set of cell types, we still do not have a taxonomy of neurons, and neuroscientists still argue whether specific types of neurons are unique to humans. But there is no disputing that neurons are only about 10 percent of the cells in the human brain.
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