A Quote by Joe Bonamassa

The first thing you realise very quickly when you decide to do an acoustic version of an electric song is your solo either becomes either very truncated, very different, or non-existent, because even if you play a clean solo, it's different with the Kryptonite... with the acoustic.
I'm glad I can do both full-band electric and solo acoustic performances. It's nice to have contrast, so if you get fed up with one, you can just switch to the other one. It's great to go to a town and play an acoustic show, and then you can come back a year later and play electric, and the show's really fairly different. The repertoire will be 50 percent different. The musical energy is completely different.
One thing I really hate about people who play both acoustic and electric is if they try to play electric style on an acoustic guitar. You must develop it as a totally different thing.
On 'Metallica,' I recorded six or seven different guitar solos for almost every song, took the best aspects of each solo, mapped out a master solo and made a composite. Then I learned how to play the composite solo, tightened it up and replayed it for the final version.
If you play the very subtle jazz tunes with acoustic pianos, acoustic bass and it's a dead standard, you are going to play very differently. It depends on the music.
I play acoustic when I need to play acoustic, and I say I'm probably a better acoustic player than I am electric.
I mean, being a solo artist is very different than being a member of a band. It's absolutely different. The whole situation is very different - situations where you can't really compare, it's so very different. But I found happiness.
The mall tour was right off of my second record, before it came out. It was very different. I did an acoustic performance every day in a different mall! One interesting thing I remember is playing "My Happy Ending" a lot, and that song was so new that I remember getting emotional when I would play it.
I do some solo, acoustic stuff, but I also like plugging in my electric guitar and playing loud with a band.
I've always liked the electric guitar better. Even though the acoustic can be a very sexy and mysterious instrument, I can go to way more places with an electric.
Inspiration and stealing are two completely different things. If somebody wants to make a song like "Stairway to Heaven" and writes a song on acoustic guitar, Led Zeppelin does not own every song that's on acoustic guitar for the rest of time.
I play these sort of comical instruments I invented, like the electric rake and the electric plunger. I do a lot of almost stand-up comedy material. Just the juxtaposition of the different styles in itself sometimes is funny. Like, I do sort of an acoustic version of 'Purple Haze' that has some bluegrass licks in it.
The thing I find frustrating about rock music is, how different can you make an acoustic drum kit sound, an electric guitar and vocals? It's very stuck, whereas with electronic music, new sounds are being created.
The mall tour was right off of my second record, before it came out. It was very different. I did an acoustic performance every day in a different mall! One interesting thing I remember is playing 'My Happy Ending' a lot, and that song was so new that I remember getting emotional.
I'm probably a more intentional acoustic player than I am an electric player because of lack of influences. I just play acoustic to see what happens.
I even played bass for a while. Besides playing electric guitar, I'd also get asked to play some acoustic stuff. But, since I didn't have an acoustic guitar at the time, I used to borrow one from a friend so I could play folk joints.
For an electric guitarist to solo effectively on an acoustic guitar you need to develop tricks to avoid the expectation of sustain that comes from playing electrics. Try cascades, for example. Drop arpeggios over open strings, and let the open strings sing as you pick with your fingers. It's kind of a country style of playing, but it works very well in-between heavily strummed parts and fingered lead lines.
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