A Quote by Joe Bonamassa
A guitar is a guitar. Whether it was made yesterday or 51 years ago, if it's good, it will stand the test of time.
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I think if you really put your mind to something you can do it. Five and a half years ago I couldn't stand on stage and play guitar. I didn't have enough talent as a kid to play guitar. I started really late. I hired a guitar teacher when I was in Nashville and I applied myself and stayed focused.
I'm playing a D-28 Martin that I've had about 20 years or so. I've got a '51 Martin and I thought I shouldn't be taking this on the road. So I went down to Gruhn Guitars in Nashville and kind of traded around and ended up with this one. This guitar sounded pretty good as new guitar.
The Majesty guitar symbolizes the very reason why I am so proud to be a Music Man artist. I had the idea for this guitar a couple of years ago but it is because of their innovative spirit and dedication to the art of guitar building that it is now a reality. I am so grateful that I am able to collaborate with the best guitar company on the planet and so incredibly proud that together we have created what is to me, the perfect musical instrument for guitar players. I really hope you get a chance to play one and am confident that you will feel the same!
51 Martin [guitar] sounded pretty good as new guitar. Martin has several levels of guitars now, and this one is pretty good.
In high school, I decided I wanted to learn guitar, so I picked it up and starting teaching myself some basic chords and started playing with friends. Guitar inherently lends itself to be guitar music, especially when you're not good at guitar.
The gut-strung guitar, the classical guitar, that is a whole different world on its own. When you think what the guitar can do and what every individual player does with a guitar, everyone has their own identity coming through the guitar.
Most actors, if you ask them if they play guitar, they'll say they played guitar for 20 years, but what they really mean is they've owned a guitar for 20 years.
I always use the same guitar; I got this guitar years and years ago for nine pounds. It's still got the same strings on it.
I don't understand why some people will only accept a guitar if it has an instantly recognizable guitar sound. Finding ways to use the same guitar people have been using for 50 years to make sounds that no one has heard before is truly what gets me off.
My D'Angelico is a jazz archtop guitar. That guitar was made for Glenn Miller's guitar player in 1939. It's a '39 D'Angelico New Yorker.
If you have a great-sounding guitar that's a quality instrument and a good amp, and you know how to make the guitar talk, that's the key. It starts with the guitar and knowing what it should sound and feel like.
About ten years ago, I knew three chords on the guitar. Now, in 1982, I know three chords on the guitar.
Michael Bloomfield was the antithesis of a collector ... he didn't care how old a guitar was; all he wanted was something that sounded good when played it ... and he cared nothing about the collectibility of an instrument ... his philosophy was "A good player can make any guitar sound good" ... to Michael, a guitar was just a tool.
Years and years ago, I sang at a blues bar with a band behind me. It was with my friend, my guitar teacher at the time. I took some sporadic lessons.
I have some good books of Bach keyboard music transcribed for guitar, and there's always a nylon-string guitar hanging on the wall in my house and a bunch of classical guitar books to grab. I kind of do that just for fun.
I never actually had a guitar lesson. I taught myself the guitar from piano exercise books, which led me to have a pretty good technique on the guitar and allowed me to find different ways to do things.
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