A Quote by Joe Bonamassa

When you think blues, you think BB King. Even a young kid can look at a picture of BB King and say, 'the blues.' The man is more than a musician. He's a monument. — © Joe Bonamassa
When you think blues, you think BB King. Even a young kid can look at a picture of BB King and say, 'the blues.' The man is more than a musician. He's a monument.
I love the music from Nat King Cole, BB King, Albert King... When I think of it, I wouldn't mind being renamed Angus King.
I listen to lots of blues records and some of them are funny. BB King's 'How Blue Can You Get' is hilarious.
I guess you can look at me, and tell I'm the old man. My name is BB King.
No one's better than me. I'm not better than anyone. Whether it's Eric Clapton or BB King we look straight at each other. And that keeps it real.
There are happy blues, sad blues, lonesome blues, red-hot blues, mad blues, and loving blues. Blues is a testimony to the fullness of life.
I knew BB King when he first started out.
When you think of blues, all you think about is crying guitar like B.B. King's guitar. You think about someone crying that their woman's gone. And how bad life is and all that. Why can't it be something happy with the blues? Why can't it have a hip-hop beat to which you can do the dances of today?
To me, the blues is an infection. I don't think it's necessarily a melancholy thing; the blues can be really positive and I think I think anyone and everyone can have a place for the blues. It need not always a woeful, sorrowful thing. It's more reflective; it reminds you to feel.
I was living and working with adult men who were playing a real art form. And I had been playing blues all my life. As soon as I formed my first band, we played Jimmy Reed stuff. So it wasn't like I was a white kid who was learning the blues from B.B. King records.
Nowadays blues in particular has a wide, wide, wide, wide net of everything that's called blues. I think if somebody's coming to it in the last ten years or whatever, or even fifteen years, what their experience is what is called blues is different from mine. I have to expand my range of what's been called the blues. I think somebody who's new to it would have to go back and to see what is called blues now, where it came from. If that makes sense.
I used to play quite a good lead guitar, R&B style. Clapton and BB King are heroes.
Listen, man: I am not the industrial godfather, king, whatever. I don't relish that title. I don't like it. I think it's limiting. I do country, I do blues. I don't just go straight.
I have heartaches, I have blues. No matter what you got, the blues is there. 'Cause that's all I know - the blues. And I can sing the blues so deep until you can have this room full of money and I can give you the blues.
One of many joyful moments with BB King was him letting me play 'Lucille.' ...The thrill will never be gone.
I think the blues is fine for blues players, but free blues has never made much sense to me.
Music and the blues, they have taught me a lot. I think in this book, 'Book Of Hours,' there is this blues sensibility. There are moments of humor even in the sorrow, and I'm really interested in the way that the blues have that tragic-comic view of life - what Langston Hughes called 'laughing to keep from crying.'
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