A Quote by Joe Bradley

I've always liked the fact that galleries are free to visit in New York. — © Joe Bradley
I've always liked the fact that galleries are free to visit in New York.
I don't plan out my visits rigorously, but I do have a list of about 125 New York galleries, alternative spaces, museums, and so forth that I visit regularly. That's the closest thing I have to a strategy: I go to a lot of places, many that artists don't visit.
There aren't that many galleries in Havana. There are a few state galleries and an ever-increasing but still limited number of independent galleries; there's no comparison with the number in New York.
There was a kind of cultural life in New York that wasn't as solidified as it is now, it wasn't as money-driven. If you look at the size of the successful art galleries compared to the size of galleries now - there was no such thing as the Gagosian Gallery or Pace Gallery. But it was a time when magazines were a vital part of American life, and Esquire gave me a free pass to every world - I could get to the art world, the theater world, the movie world. It allowed you to roam through the cultural life of New York City.
Some government expenditure actually makes a profit. Our theatre leads the world. Loads of tourists must be attracted by the fact that you could spend a week in London doing nothing but visit superb museums and galleries, free.
I kind of grew up on the East Coast, lived in New York for a while, then moved to L.A. So I'm not a New Yorker at all, but I'm much happier in New York; I've always liked it better.
I've always liked New York, as I like towns with an edge and New York has a European feel, so when I came to play music here in the '80s it was a surprise to me.
Yeah, I love living in New York, man, and people who live in New York, we wear that fact like a badge right on our sleeve because we know that fact impresses everybody! I was in Vietnam. So what? I live in New York!
Now there is a big turnover in the galleries. The top galleries are getting better all the time. A lot of galleries just struggle along, then a new one comes along. There are certainly a great number of galleries. I think this argues well for the art but there are, of course, a lot of "phonies" in all the arts.
I've always liked New York even before I lived in New York. It represents something, I think, and it would be trite to say what it represents really because it's been said so many times.
I've always liked New York, always liked the city.
I'm from New York and I love New York and I'm always repping New York, but what I represent is something deeper than just being a New York rapper.
Anyone who relishes art should love the extraordinary diversity and psychic magic of our art galleries. There's likely more combined square footage for the showing of art on one New York block - West 24th Street between Tenth and Eleventh Avenues - than in all of Amsterdam's or Hamburg's galleries.
[John F.Kennedy] liked fresh company, new people to come visit and then leave. ... I think he liked the protection of numbers too.
As an actor, there are places you can live, and when I graduated from school, it was either New York or L.A., and I liked the East Coast. That's why I ended up in New York.
I've always liked lost, old New York.
[My father] was always upset that my mother didn't want to live in New York. Because he said he wanted to live in a hotel and not have to mow the lawn and all that. In other words, he never liked sports clothes, he always liked to be dressed up formally, 24/7. And he drove big cars and, you know, just loved to act the banker.
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