A Quote by Joe Buck

Robert Kraft, a modern day Zoolander. — © Joe Buck
Robert Kraft, a modern day Zoolander.
Robert Kraft and I learn from each other.
It's modern day. It is modern day. Some of the cars are older but it is absolutely modern day. There are modern cars in it, modern people, modern clothes, modern talk. We wrote 'Valentine' to sort of pay tribute to all the old slasher movies that we grew up with and I think that we did that.
Mr. Kraft and his family, they gave me an opportunity to come out and play in the NFL. And just to see the kind of role model Mr. Kraft is in the community, he's always around; he's here every day - darn near - he's very involved, and he's just a good man. Nothing but respect, and it starts at the top.
There was a time when doing "Zoolander 2" that I was literally flying between the "Zoolander" shoot and "The Leftovers" in Texas and at that point, I was getting comedy whiplash. It was a relief, though, to get to Rome and be like, "Oh my God, I get to laugh on set."
The Kraft family does it in the proper way. They genuinely care about their teams and who is involved with their teams. If you put it in simple terms, Mr Kraft is a great businessman and the guy is in the business of winning.
I really admire the job that not just coach Belichick has done but that Robert Kraft and his family have done, and the decisions that they made to let Bill do what he's capable of doing. I think it's a great illustration of a way to structure an NFL organization when you let the coach really run the thing.
When I came to the U.S., Kraft sponsored my green card, so I was at Kraft foods and I owed them, I felt. But then as my life purified more and more, I felt that that corporation was not doing the right things for the world. That led me to a company that makes organic baby products. It is very pure in its actions and how it deals with others.
It is a Modern day, and these times need Modern solutions to Modern problems.
Zoolander was more of my own sensibility.
It's a different world: when I'm writing 'Toast,' I've got one foot in 1974 and one foot in the modern day, because the modern day is nowhere near as funny or interesting.
I've always had a massive fascination with the modern day cowboys. Modern day outlaws or going against the system, and that's always been very intriguing to me.
Moses tried to separate his people from Pharaoh, and when he tried, the magicians tried to fool the people into staying with the Pharaoh, and we look upon these other organizations that are trying to get Negroes to integrate with this doomed white man as nothing but modern-day magicians, and The Honorable Elijah Muhammad is a modern-day Moses trying to separate us from the modern-day Pharaoh.
You know I grew up on the Batman movies, and they had some terrific actors in, but you know a lot of the other ones - it wasn't always the case that you had people the caliber of Jeff Bridges or Robert Downey, so to kind of show up and work with Jeremy Renner or Robert or with Mark Ruffalo, any of them, Chris Evans, Chris Hemsworth, the caliber of people you're acting with, to me, is really fun. From the first day I started doing scenes with Robert, it's been one of the funnest experiences I've ever had.
I feel like I've had a strong relationship with Robert [Kraft] and his family since I was here in 1996 and I think it's gotten stronger every year that I've been here with the Patriots. The more things we do together, talk about together, work together on, the closer we become and the more we rely on each other. I feel like our relationship is very close and continues to grow closer every year as we grow older together.
The past is discredited because it is not modern. Not to be modern is the great sin. So, perhaps, it is. But every one has, in his day, been modern. And surely even modernity is a poor thing beside immortality. Since we must all die, is it not perhaps better to be a dead lion than a living dog?
Who would ever have thought that Robert Ludlum would have become the father of modern action cinema?
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