A Quote by Joe Budden
When you're young and you're comin' up, and you dream of gettin' this record deal, and then you actually get it, and, you know, its apples and oranges from everything that you pictured. The line was pretty self-explanatory to me: once I got in my major label agreement, I definitely couldn't deal with it. It was drivin' me crazy, givin' me gray hairs at an early age.
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You know, I can see two tiny pictures of myself And there's one in each of your eyes. And they're doin' everything I do. Every time I light a cigarette, they light up theirs. I take a drink and I look in and they're drinkin' too. It's drivin' me crazy. It's drivin' me nuts.
To me I don't deal with stress well at all, and it is stressful enough for me to deal with my own one character. So if I had to deal with all the characters and the special effects, and the editing and make the writing tweaks and do everything the director does, that would drive me to an early grave, and I just can't do it.
You know, I'm a product of my environment, gettin' into everything you know a kid my age would get into, a lot of negativity was surroundin' me. And we came, sat up and had a discussion about makin' a record, I think I was more or less overwhelmed with just that fact.
When I tried to get a record deal, only one label wanted me. The rest said 'oh, we've already got a girl with a guitar.' Can you imagine them ever saying that to a guy?
When I was younger, definitely getting people to listen to me and believe in me. I think it's hard when you're a young girl in a record label full of male urban artists, which is definitely what Atlantic Records was and still is. Also, getting people to trust a young, female pop star that doesn't just want to be puppeteered was definitely a challenge for me.
I was done with my second major label deal, and I was doing a lot of urban sessions, and I had an acoustic itch. And you know, I picked up a ukulele. I always wanted one. And it just resonated with me. I would wake up with this uke in my hand. For me the ukulele just opened this door in my heart.
My ultimate goal was to make the music that I wanted to make, and give shows. I was never going to get a major label deal - I never wanted a major label deal - so I was really free to express myself.
I'm you and you are me. I'm a man and you're a man. When people understand the more they know Self, the real Inner Self of themselves it's the same physical structure you've got. The same things you deal with I deal with. Everything derives from the mind. What's funny is the mind is the hardest question and I guess that's why I'm always writing about it.
I always knew I wanted to do music, but it took me a long time to figure out how to exactly do that. With my first record deal, everything kinda fell apart. I wasn't ready for it, I didn't know how to handle the business side at all. I thought as soon as I got a record deal, everything would fall into place and I wouldn't have to really do any work anymore. I could just make music, and be successful. Well that was not the case and everything fell apart for a period of time.
I'm a pretty big dork. It's crazy. I'm one of those people who grew up with all kinds of musicals, but I was right at that age where 'Rent' was a big deal for me and for my friends.
I'm openly gay, and I've got a major label record deal in Nashville, and it happened when I was 42 years old. It's not supposed to happen that way.
When I left WWE, TNA offered me a deal. It was a sweet deal: ya sit at home the majority of the year. Just show up every now and then and make some money. That was a sweet deal for me; that was like a vacation.
I'm not one to bow under immense pressure. I know how to deal with it. As a youth player growing up and playing for England, you deal with it then and get used to it. You just carry on into the bigger stages, and it has become natural to me.
I can't believe I got a major-label record deal. My music was quirky, and my voice was so odd and high and girlish, it was like a weird novelty act.
I feel that puttin' in the hours and years in the studio, honing my craft, definitely played a part, me consciously networking and presenting myself as an artist that's commercially sellable led to me meeting the right people, which in turn led to them givin' me positive referrals to other people, which in turn led to me signin' a deal.
When you get a record deal, you got to be pretty headstrong, know your direction.
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