A Quote by Joe Budden

I was fortunate enough to have gone through the major label process and kind of have the inside scoop on some things, some information I wouldn't have normally had. To go from a major to an independent, I don't think it's an easy transition.
You would think that anyone on a major label would be doing something, but when you speak of major label that means something to maybe a big pop star that might be getting some sort of benefit from the major. But we still don't get anything.
The big thing is I'm not with a major label. I've been independent since the get-go, and I've been very lucky to get some good advice on keeping hold of copyright and that kind of stuff.
I'm really happy with Elektra, I don't have anything bad to say about them at all. I always knew a major label was the right place for me to be. I never really had an opportunity to go to an independent label anyway.
As far as being on a major label, some labels get it and get what they have to do, and some labels don't. I don't think the label I'm on necessarily gets it, but I think over time they're gonna have to.
I'm even stunned at some of the majors you can get in college these days. Like you can major in the mating habits of the Australian rabbit bat, major in leisure studies... Okay, get a journalism major. Okay, education major, journalism major. Right. Philosophy major, right. Archeology major. I don't know, whatever it is. Major in ballroom dance, of course. It doesn't replace work. How about a major in film studies? How about a major in black studies? How about a major in women studies? How about a major in home ec? Oops, sorry! No such thing.
For new bands, I think a major label is the safest place to be. Independent labels are the ones getting away with murder. A lot of them are hobbyists who rip-off young bands, taking advantage of people who would never get signed to a major.
I love having a major label behind me. Independent was really great to start off, as and I made some really big moves and gained a lot of fans.
Sometimes, after I'd gone at the coke like one of those snow plows moving up First Avenue, I'd think my heart was over on the dresser, pounding, and I was watching it. I asked some of the doctors who drifted through the intensive-care unit what kind of effect total cocaine abuse has on the heart and they said things like, "Well, there's not enough valid information...." That kind of answer.
I've been on a major label for 14 years. I've always wanted as many people as possible to hear my music, and it definitely made sense for the majority of my career to be on a major label, on a distribution level, to be in people's faces and be out there, and have access to major labels' incredible machine, even though they have not understood or haven't been invested in what I was doing.
What has happened is that genetics has become a branch of information technology. It is pure information. It's digital information. It's precisely the kind of information that can be translated digit for digit, byte for byte, into any other kind of information and then translated back again. This is a major revolution. I suppose it's probably "the" major revolution in the whole history of our understanding of ourselves. It's something would have boggled the mind of Darwin, and Darwin would have loved it, I'm absolutely sure.
We're so humbled and lucky to be in a position where we've been a four-piece for over 15 years. We're signed to a major label. We're on our fourth record on a major label. We've won a Grammy. We've toured the world.
I can't think of a major story that we have broken that was incorrect. But we have had to correct some things that were false; we have had to retract things.
I'm sure that, on some level of the major-label and old-establishment industry, there are execs and agents who think homosexuality is a liability.
My problem was never with the major label, it was with the guy who we put our trust in and then wouldn't take my phone calls once we'd signed to a major label, who then quit.
I think a lot of times when people have "creative blocks" and I know my share of friends do as well if they're at just some stuck point. They're not sure what to do with their lives or their writing or their photography or their filmmaking or whatever it is that they're doing. I think the best advice is you have to change your life up completely; to go on a trip, to go spend a year being of service. Be willing to take some major drastic action to get you out of your comfort zone and go inside, not outside.
I've been heavily, heavily tuned into the DJ Khaled album, 'Major Key,' which has some major, major plays on it, up and down the line.
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