A Quote by Joe Budden
Actually, after 'All Love Lost' I was so drained creatively that I didn't have any clue where I wanted to go. So I just started from scratch.
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With 'Scratch,' you create computer programs by snapping together graphical programming blocks, much like LEGO bricks, without any of the obscure syntax and punctuation of traditional programming languages. After creating an interactive 'Scratch' project, you can share it on the 'Scratch' website, just as you would share videos on YouTube.
I started in theater, and I love to go back to theater, just to have the experience and recharge my batteries, creatively.
All the way out I listen to the car AM radio, bad lyrics of trailer park love, gin and tonic love, strobe light love, lost and found love, lost and found and lost love, lost and lost and lost love—some people were having no luck at all. The DJ sounds quick and smooth and after-shaved, the rest of the world a mess by comparison.
It's been said that if NASA wanted to go to the moon again, it would have to start from scratch, having lost not the data, but the human expertise that took it there the last time.
I literally wouldn't have dreamed of it in a million years that I'm going to be standing there with George (Strait) and Garth and Kenny (Chesney) and Reba (McEntire) and Brooks & Dunn. I don't really have any clue what I'm actually doing with those people because I feel like I'm still just getting started and I've seen them all in concert and they're all my heroes.
I started as - well, I wanted to be Poet Laureate. And I wanted to be a naturalist. That's how I began. I didn't have any desire to go and be a scientist. Louis Leakey channeled me there. I'm delighted he did. I love science. I love analyzing and making sense of all these observations. So, it was the perfect rounding off of who I was into who I am.
I am a muso, and I love doing it. I assumed that would be my career for a long time. I always wanted to be a writer, but I didn't think that anyone could actually be that full-time, so I always go back to conducting and arranging and playing. If you scratch me, I'm a musician.
I moved when I was 16. I had no clue what to expect in moving to L.A. I had no clue, really, about what acting was. I just knew that I wanted to do it.
When I was growing up they didn't want me to do it because my mother was a teacher - they wanted me to go to school. But I love football and wanted to play - they wanted to stop me but couldn't. They wouldn't allow me to play out after school but I went out anyway. Maybe I lost a bit of focus on my studies.
I remember what it was like to be doing 'Lost' and how creatively immersive it was. I just couldn't really engage on anything else, other than 'Lost;' I was just thinking about it all the time, and then there was just the pure workload, the 70- or 80-hour weeks.
A year after I started college, I had no clue what I wanted to do. My mother said, forget everything else-if it were your birthday today, what would you do? I thought, I would play with makeup at the department store. So she said, do that!
Immediately after the September 11th attacks, I volunteered to go to Afghanistan in any capacity that the CIA wanted me. Four months passed before I was able to go overseas, just because my skill set was not one that was important in those really early days after the attacks.
I just wanted to play tennis. I started because I wanted to pick up another sport and then as I was slowly getting better I wanted to see how far I can go but I always wanted to be myself. I wanted to be original. I didn't want to copy anybody's style.
When the generation after me started getting on the cut, a lot of them would call me over to hang out or go jam and scratch and they were always separate from each other.
I suffered a lot of setbacks when I started; I didn't have any work experience and no real confidence to go after the career that I knew in the back of my mind I really wanted. It affected my confidence as knock-back after knock-back left me feeling like I might never succeed.
When we decided to go to Cuba to perform, we did it because we just wanted to build a bridge, you know, between Cuba and the rest of the community. And we just wanted to prove that music and art need to be over all ideology or way to think life, and we just wanted to go in there and play just because of love.
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