A Quote by Joe Cocker

Back then, I, most rockers loved Chuck Berry, Little Richard, Jerry Lee Lewis... you know in the '60s. — © Joe Cocker
Back then, I, most rockers loved Chuck Berry, Little Richard, Jerry Lee Lewis... you know in the '60s.
My influences were Little Richard and Jerry Lee Lewis and Chuck Berry.
I plug into a lot of old rock & roll. Chuck Berry, Buddy Holly, Little Richard, Jerry Lee Lewis - I love all that stuff.
You could put Jerry Lee Lewis, Little Richard, Chuck Berry and Bo Diddley on one side of the stage, and James Brown on the other, and you wouldn't even notice the others were there!
Rock n' roll sounded like music from another planet. The first time around, we had people like Elvis, Little Richard, Chuck Berry, Jerry Lee Lewis - all them people.
When the fearsome foursome of rock music, Chuck Berry, Bo Diddley, Little Richard, and Jerry Lee Lewis, decided to show up in Toronto for a rock and roll festival, I knew we had to go there to try to get them all on film.
Isn't my music the last of the real rhythm and blues? Isn't it great? It's because of my musicians, we were weaned on Muddy Waters, Howlin' Wolf, Bo Diddley, Chuck Berry, Little Richard, Jerry Lee Lewis, all the founding fathers, the gods of thunder, who invented the foundation and the pulse of the greatest music in the world!
I grew up listening to a lot of that stuff, Motown and Stooges. But also early rock-and-roll like Chuck Berry, Little Richard, Jerry Lee Lewis, and Elvis Presley. I feel like as I grew older, I've been working with different musicians, people that have are constantly showing me different things.
I'm influenced by Django Reinhardt, Stephane Grappelly, Roland Kirk, John Coltrane, B.B. King, and then by bluegrass. But when I was 16, bluegrass wasn't cool. We was rock n' rollers then: Chuck Berry, Jerry Lee Lewis.
Many people we consider legends, such as Jerry Lee Lewis and Chuck Berry, remain so scarred by scandals, injustices and regrets from decades earlier that they're barely able to appreciate their accomplishments.
Over the years, I've come to realize that writing 'I Ain't Living Long Like This' was an exercise in combined musical influence, mostly that of Hank Williams, Chuck Berry, Elvis Presley, Jerry Lee Lewis, the Beatles, and Bob Dylan - artists no one has ever heard of.
Before I even got signed as a teen, I was singing with people like Hoyt Axton and Mickey Gilley. I worked with Jerry Lee Lewis and Little Richard.
I started out just as Elvis was going into the army, Jerry Lee Lewis married his 14-year-old cousin, and Little Richard became a priest.
When I was in high school in the '50s, all pop music - Elvis, Chuck Berry, Little Richard - was aimed at teenagers. I loved that stuff.
When Little Richard used to stand up and play it was just fabulous, and Liberace had the candlesticks and the rings and the gift of the gab. The piano's is the most ungainly rock' n' roll instrument of all time but those two people transcended it, as did Jerry Lee Lewis.
I'm in awe of people like Jerry Lee Lewis and Little Richard; they're great musicians and people. But I'm most starstruck by people in the small town where I live. Especially single dads, like me, who are working five times as hard to raise their kids.
I first met Jimmy Page in London in 1961, and he was listening to James Burton, Scotty Moore and Cliff Gallup with Gene Vincent, as was I ... these were the rock and roll guys who really sparked our interest in the guitar, and later we delved into other things and went different directions ... during my time with Eric Clapton, we talked about what we'd listened to early on, and he was a huge fan of Chuck Berry and Jerry Lee Lewis
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