A Quote by Joe Cocker

Well, over the years, I've developed a stable of songs of which I'm known for and never get tired of singing. — © Joe Cocker
Well, over the years, I've developed a stable of songs of which I'm known for and never get tired of singing.
I get tired of the same albums, the same look and singing the same songs. When I get bored I paint, I plant trees and just do something different. I get far away from singing.
I'm interested in feedback and learning what people want. It's a tricky thing for me when I do a set list. You get bored doing the same songs. Let's say we do one ballad in two hours, and it's "Wild Horses." If you say, I'm tired of that, let's try something less well known, and then you're out there stumbling through this song you just relearned at sound check, and you realize people probably want "Wild Horses" instead of this. You do need to do some songs that aren't so well known. The question is how many? I'm open to people posting their requests.
Over the years, I have pushed myself mentally and I have pushed myself physically. A lot of people say, 'John Havlicek never gets tired.' Well, I get tired. It's just a matter of pushing myself. I say to myself, 'He's as tired as I am; who's going to win this mental battle?' It's just a matter of mental toughness.
I love the whole aspect of music, especially the singing; I never get tired of finding new songs to sing and sing them in a way that's interesting for the public.
It's not a bad problem to have because a lot of classic acts are known for one or two songs and in their show they basically hold those songs off until the end and you sit through an hour or so of lesser known material but in our case most of the songs are well known.
When I first organized the King Cole Trio back in 1937, we were strictly what you would call an instrumental group. To break the monotony, I would sing a few songs here and there between the playing. I sang things I had known over the years. I wasn't trying to give it any special treatment, just singing. I noticed thereafter people started requesting more singing, and it was just one of those things.
I love making people sing. I love group singing, sacred harp singing, choral singing, recordings of people singing sea shanties, work songs, prison songs - how people just sang to get through things.
I'm sure that the meaning of the songs that I've written will change for me over the years, the same way that I can't even say what inspired some of the songs that I've been singing for a long time anymore.
If singing a couple of songs in a benefit will help keep the Festival alive and known, well, how can I say no to that?
If you are well known at something else, you get points for doing stuff which lots of other people do, and much more, and they don't get any points at all. You get over-praised, over-credited.
You never get tired of making money, and you never get tired of a great acting gig, a same role that you can play for years, with wonderful writing and wonderful actors.
I don't think you ever get tired of the well-written, well-crafted songs.
I dont think you ever get tired of the well-written, well-crafted songs.
I will never get tired of looking at works by Pablo Picasso. I will never get tired of looking at work by Francis Bacon or Henry Moore or Francisco Goya. You cannot tire of the work these people have made because you can look it over and over again - the same thing - and always see something different.
I also wanted to make a record that was about other things than romance, yeah, after two years on the road singing all the songs from the first album, I got kind of tired of that.
I will be singing primarily all the songs from the musicals that I have been in from over the years.
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