I think filmmakers, in general... There are some awesome, really great filmmakers - but on the whole, filmmakers, actors, I think they are the biggest bunch of whiny, over-paid babies on the planet.
The filmmakers are very much in their own kind of bubble. It was kind of a revelation to me and I realized why so many of the great filmmakers are one of a kind people. You know, they have a vision. They may be influenced by other filmmakers, but they don't work with them on anything.
I share different relationships with all directors. I share a beautiful working relationship with Anurag Kashyap. Sriram Raghavan is such an inspiration and I have always wanted to work with them. I gel really well with filmmakers like these.
I have always admired the Russian cinema, their incisive storytelling, sharp camera work and brilliant acting in them. Indian filmmakers can learn a lot from it.
I only want to work with interesting filmmakers.
You learn to speak by speaking, to study by studying, to run by running, to work by working; and just so, you learn to love by loving. All those who think to learn in any other way deceive themselves.
There are two ways to learn anything. An interesting way and a boring way. I like the interesting way.
I don't think talent has anything to do with inspiration. Inspiration creates talent. People prioritize innate talent too much. It gives them license to walk around and act like assholes. I think I straddle a line between being innately talented and having had to put in some work. You ever go to a party where there are a lot of creative people and they feel like they have license to just act any kind of way? I'm not really a moral person myself, but they just tend to never ever be sincere because they believe their art or the fact that they are artists makes them holy in some way.
Once I began to hear and pay attention to my fledgling ideas, the biggest hurdle was to learn how to respect them. That was hard, because the real way to respect an idea is to invest the attention and work needed to develop it.
'Baahubali' was a film that was never done before. Rajamouli sir was my biggest inspiration because he lives in the smallest house and drives the smallest cars, but he makes the biggest films ever. He taught me the art of analysing your own strengths, and I take inspiration from him.
It would be interesting to explore an opportunity if Hindi filmmakers think I can fit into any character in a film.
Joanna Priestley is one of the most interesting and adept personal animators and filmmakers. I have enjoyed her work for years and been amazed at how she gets into her own thoughts onto the screen in a very elegant and focused way. You have to see this.
A lot of the surreal filmmakers, like David Lynch, Alejandro Jodorowsky, or countless other underground filmmakers... Their sense of explosive images have always dominated their films. It's a way to shock the senses, to make them open themselves.
A manager's most important work is helping the people doing the work. Give them a goal and let them work. Remove any impediments that get in their way. Do anything that make them more effective or productive. Then the organization can capitalize on the fruits of their work.
I started getting a lot of work once I came to Mumbai. I was working with some of the biggest ad filmmakers. But I had to give auditions.
I don't like every other musician's work. The same way that filmmakers don't like every other filmmakers' work. Just because I'm a feminist doesn't mean I'm gonna say that I like every other woman's work, or that I appreciate another statement that another woman publicly made.