A Quote by Joe Dempsie
'Skins' had been a brilliant breeding ground for young actors, young directors and young writers. It was a safe environment to experiment; it tried new things, and it was an amazing time and amazing to be part of it.
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I sometimes have to look back and say, "Wow, this is amazing what has happened to me. I have been able to fulfill a lot of these dreams that I had when I was very young." It's a pretty amazing feeling. But at the same time it becomes addictive!
It was so much fun working with these young kid actors. We had a great time and those kids are truly amazing.
I felt there needed to be a show for teenagers that didn't make them feel judged. 'Skins' never tried to preach. It allowed young people to make their own decisions about what to do and whether it was right or wrong. Young people really respond to that, and that's what sets 'Skins' apart.
'Skins' was such a great platform for young actors. They had this whole thing about getting people who weren't trained, this new generation, this new culture.
I see a lot of women who can't travel when they're young, and then their kids grow up and they become amazing adventurers. Travel is not only for the young. Sometimes it's wasted on the young.
But it's clear to me that us slow-poke writers are a dying breed. It's amazing how thoroughly my young writing students have internalized the new machine rhythm, the rush many of my young writers are in to publish. The majority don't want to sit on a book for four, five years. The majority don't want to listen to the silence inside and outside for their artistic imprimatur. The majority want to publish fast, publish now.
Women and people of color and young people especially are about to have this amazing opportunity to shift the political conversation in this country for the good of all of us, toward more progressive policies, and it's a really amazing and important time to be part of that.
I think he [Leonardo DiCaprio] is a terrific actor. And I've - I've been rooting and voting for him since "Gilbert Grape." I thought he was so amazing in that one. He was a young man, really very young boy.
Even very recently, the elders could say: 'You know, I have been young and you never have been old.' But today's young people can reply: 'You never have been young in the world I am young in, and you never can be.' ... the older generation will never see repeated in the lives of young people their own unprecedented experience of sequentially emerging change. This break between generations is wholly new: it is planetary and universal.
There's such an array of brilliant roles for young women. You read all these amazing young women going through different stages in their life - different stages, different fascinations, different textualities, different friendships.
Young women should be telling stories of other young women. And if the superstar who is an amazing storyteller isn't a writer, that's totally fine, but we should get a young female writer in the room to work on that song with us.
The younger generation forms a country of its own. It has no geographical boundaries. I've talked with young Hungarians in Budapest, with young Italians in Rome, with young Frenchmen in Paris, and with young people all over. ... These young people are going to do things. They are going to change things.
I lost my father very young, but not young enough to not be aware of what was going on. My father and I had an amazing relationship. We were very close.
Success breeds volume, and it's just amazing how many young writers, artists, and musicians there are in town.
That's exactly how I felt. So getting to suddenly know this young [princess] Margaret, who had this extraordinary life - it was sad and tragic and difficult and sort of astonishing and getting to know her young self was amazing because it completely defied all my expectations.
I did everything young. I was always in a hurry to do everything. I had kids young and I worked young and I didn't have time to go back to school because I wasn't willing to give up anything that I had.
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