A Quote by Joe DiMaggio
After I got that hit off Satchel (Paige), I knew I was ready for the big leagues.
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I know who's the best pitcher I ever see and it's old Satchel Paige, that big lanky colored boy. My fastball looks like a change of pace alongside that little pistol bullet ole Satchel (Paige) shoots up to the plate.
Musicians in my day had nicknames. My name was "Satchel Mouth," like a doctor's satchel. When I went to England this fellow was strictly English, and he was editor of the newspaper there. He shook my hand after I got off the train and said, "Hello, Satchmo." So right away my trombone player said, "Mmm, the man thinks you have mo' mouth than Satchel Mouth." So I was stuck with it, and it turned out all right.
I went to college for a reason, and that was to skip the minor leagues. I spent a year in the minors and got my at-bats in, and then I felt like I was ready for the big leagues.
I couldn't believe I was in the big leagues. I also knew that I have to work hard every single day to stay in the big leagues. One thing is getting to the big leagues; another thing is to stay.
Willie Wells, Ray Dandridge, Leon Day, Buck Leonard, Quincy Troupe, Satchel Paige - earlier than when he was called up - Oscar Charleston and Josh Gibson. You see what kind of talent we had, and guys in the majors knew it too.
I wasn't quite sure how a player got to the big leagues. As far as I knew, he was just there one day.
Working on the ABC movie 'Don't Look Back: The Story of Leroy 'Satchel' Paige,'' which we filmed in Hattiesburg, Mississippi, was a special pleasure, particularly because I'd played baseball in high school.
I myself am more and more inclined to agree with Omar and Satchel Paige as I grow older: Don't try to rewrite what the moving finger has writ, and don't ever look over your shoulder.
I got to the big leagues when I was 20. I thought I had it all figured out. Went to spring training that next year and started off well, got sent down, and I pouted pretty much all of 2000. And it wasn't the right way to handle it.
I worked with Marlon Wayans on the show 'They Wayans Brothers,' and we hit it off. One thing about Marlon, when he casts a movie or a TV show, he expects you to bring it. You've got to be ready to improv, because Marlon will say anything, and you've got to be ready to come back.
The Negro League had some of the best players in history. Satchel Paige was probably one of the best pitchers in the history of baseball, and many believe catcher Josh Gibson was a better hitter than Babe Ruth.
I kept listening in the minor leagues, and even earlier than that, people would say, 'If you don't hit the fastball, you're not going to get to the big leagues.' Every game, you're going to get a fastball.
You have to hit the fastball to play in the big leagues.
The day I got a hit off (Sandy) Koufax was when he knew it was all over.
Hey, I think it's easy for guys to hit .300 and stay in the big leagues. Hit .200 and try to stick around as long as I did; I think it's a much greater accomplishment. That's hard.
A lot of pitchers today are afraid of the ball. Warren Spahn pinch-hit for me when I was a rookie. He hit a sacrifice fly. I couldn't argue. I was 20 years old and just happy to be in the big leagues. And Spahnnie was a good hitter.
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