A Quote by Joe Dugan

It's always the same, Combs walks, Koening singles, Ruth hits one out of the park, Gehrig doubles, Lazzeri triples. Then Dugan goes in the dirt on his can. — © Joe Dugan
It's always the same, Combs walks, Koening singles, Ruth hits one out of the park, Gehrig doubles, Lazzeri triples. Then Dugan goes in the dirt on his can.
They didn't get along. Gehrig thought Ruth was a big-mouth, and Ruth thought Gehrig was cheap. They were both right.
You have some singles that play doubles, but you have doubles players that can beat singles players when they're playing doubles.
You know, I think playing doubles definitely helps your singles game in all aspects. Just being able to get that match practice, match preparation before playing singles matches. Then it also builds confidence just getting wins from doubles, yeah.
I don't understand the whole concept of doubles. They used to do that in the early sound films in Hollywood, but I thought we had gotten rid of that. Now not only do you have doubles, but as in Flashdance, you have triples, quadruples. From my point of view it is bad for the art.
Striking out Ruth and Gehrig in succession was too big an order.
The proudest thing I have ever done was to win the singles, doubles, and mixed doubles at Wimbledon.
I don't think you have to go hit home runs to win races. I think we can get solid base hits with singles and doubles to put ourselves in a position to win.
I have always played under pressure because I have always played for my team in doubles and mixed doubles and it was always like if the doubles pair win then the team wins.
For my books of nonfiction I write about subjects I find fascinating. I've been a Yankees and a Lou Gehrig fan for decades, so I wrote 'Lou Gehrig: The Luckiest Man.' It's more the story of his great courage than of his baseball playing. Children face all sorts of challenges, and it's my hope that some will be inspired by the courage of Lou Gehrig.
I've never had big problems about being long on the court. During the U.S. Open I played three events (singles, doubles, mixed doubles) and some people asked me if I want to stay overnight on the court.
It was funny, when I thought of it afterward, how Ruth and Gehrig looked as they stood there. The Babe must have been waiting for me to get the ball up a little so he could get his bat under it.
This is just the way it goes: there's always a cycle with music - it goes up and it goes down, it goes risque and it goes back, it goes loud then it goes soft, then it goes rock and it goes pop.
When I first came to Yankee Stadium I used to feel like the ghosts of Babe Ruth and Lou Gehrig were walking around in there.
If we can abstract pathogenicity and hygiene from our notion of dirt, we are left with the old definition of dirt as matter out of place. This is a very suggestive approach. It implies two conditions: a set of ordered relations and a contrevention of that order. Dirt then, is never a unique, isolated event. Where there is dirt there is a system. Dirt is the by-product of a systematic ordering and classification of matter, in so far as ordering involves rejecting inappropriate elements.
There is a gesture he has, a motion, that always reminds me of a great batter leaning into a hit. He has a way of throwing one foot forward, putting his head down a bit as he silently runs the valves, and then the cheeks bloom out in the way that has mystified his dentist for years, and he hits into the solo. When that foot goes forward like that, you know that John Birks Gillespie is no longer clowning. Stand back.
Why was she always so craven, so apologetic? He had always seen Ruth as separate, good and untainted. As a child, his parents had appeared to him as starkly black and white, the one bad and frightening, the other good and kind. Yet as he had grown older, he kept coming up hard in his mind against Ruth's willing blindness, to her constant apologia for his father, to the unshakeable allegiance to her false idol.
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