That's a big love letter," she says, squinting. I know what I'm going to say and for a moment I wish there was a film crew documenting my day-to-day life: "I've got a big heart," I say.
And she [Eleanor Roosevelt]loves being a star. And she loves being a teacher and a leader and a mentor and a big friend. Also, she's tall. She's one of the tallest girls in the school. And she's an athlete. And she writes many years later, at the end of her life, she writes that the happiest day, the happiest single day of her life was the day that she made the first team at field hockey. And I have to say, as a biographer, that's the most important fact. I
It occurred to me in my junior year of high school. I got my first letter from a big college. I still have that letter to this day - a letter from Indiana.
In life, it is never the big battle, the big moment, the big speech, the big election. That does not change things. What changes things is every day, getting up and rendering small acts of service and love beyond that what's expected of you or required of you.
Disaster, to me, means in some big or small way, things going wrong. And that's obviously a matter of perception, right? Let's say your puppy chewed up all the shoes in your house. She probably had a fine time doing that. In her mind, a red letter day, the highlight of her puppy life.
Mama wrote a letter to my father saying' I want to work with you' and she ended the letter saying' in Italian I can only say ti amo( I love you)' and of course the press used that to say women are sexual predators, in 1949 they made a first film together,' Stromboli', and they fell in love and my mother became pregnant with my brother Roberto before she could obtain a divorce.
[Margot Hentoff] stopped [writing]. She decided that she had nothing more to say. And yet, every day, she has a whole lot to say, and I wish she'd write it down.
I was at one of the lowest points of my life when we started this film [Dream of Life], except, of course, that I had two great children. But the film is not documenting a decline; it's documenting a rise up - first baby steps and then big steps up. The worst that could have ever happened to me had already happened. And so the film is on the ascent. And I think that gives it a nice spirit.
I look at the Chrissy Teigens of the world, who I absolutely love, and I wish that I could say some of the stuff that she says. But I know where I want to go in my career path and I know that there are some things I can't say.
On a day-to-day level, I love watching my kids accomplish the little things that seem trivial but are really milestones: seeing my son hit a baseball or watching my daughter draw something that actually looks like what she says she's drawing. Or hearing them say 'I love you.'
My little sister told me about the Twilight books and what a big fan she was. She said, "It's like Harry Potter in love," which it's not. So, when the audition came up, I wanted to get the film for her. It was great because I got to take her to the premiere. She got all dolled up and was treated like a princess for the day.
Tomorrow's a hunting day," I say. "I won't be much of a help with that," Peeta says. "I've never hunted before." "I'll kill and you cook," I say. "And you can always gather." "I wish there was some sort of bread bush out there," says Peeta.
The family farm plays such a big part in my life and I genuinely love going back there. In some ways I'd like to spend every day there, but there would be a big hole in my life if I didn't stay involved in cricket.
It's always been a desire of mine to work with my parents, so Wild at Heart was a wish come true. The first day we did a scene together I came down the stairs and my mom pointed that finger at me: "Don't you dare talk to that boy again!" You know, I've seen that finger for 23 years. And I started laughing, she started laughing, then the whole crew broke up - in that moment, they all knew that she and I had been there before.
I want Man Repeller to feel like you're waking up in the morning, you're calling your girlfriend, you don't know what she is going to say, you don't really care what she has to say, but you know you're going to like it, and you're going to laugh and hang up the phone and feel ready to take on the day with all this new knowledge.
A film can be big or small - I have to just fall in love with it. To connect with the character, the script, and the director. Sometimes they say to you, 'You should do that for your career; it's a big thing, people will go and see it,' but I wouldn't be able to, because my heart wouldn't be in it. I would drive people quite mad.
My mother says to me, when I'm making a new movie, she says, "Oh, is Steve Buscemi in it?" I'd say, "Yeah." And she, "Oh, then it's going to be a good one." I swear to God, she says that every time. And when I say Steve's not in it, she says, "Oh."