A Quote by Joe Elliott
A fan would get an autograph and that was that. If we didn't tour again for five years, we wouldn't remember them.
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People would ask me to autograph their bodies and then the next time I'd see them on tour they'd have my autograph tattooed. I decided I wouldn't write on people anymore, but I'd give them arms and legs and if they wanted those autographed I'd do that.
When I was growing up, my favorite player was Reggie Jackson - and I never got the opportunity to get an autograph from Reggie. I was so frustrated. I mean, he was my idol. And I couldn't get no autograph. I would go through punishment waiting on him (after games) because he was always the last guy to come out. And I would go back home with no autograph.
Seventy-five years. That's how much time you get if you're lucky. Seventy-five years. Seventy-five winters, seventy-five springtimes, seventy-five summers, and seventy-five autumns. When you look at it like that, it's not a lot of time, is it? Don't waste them. Get your head out of the rat race and forget about the superficial things that pre-occupy your existence and get back to what's important now.
As much as I want to go out and tour every single day and I'm ready to rip it right now, there's five people in the band, there's five people who've evolved and grown and there's five people who have to get on the same page and want the same things, and it takes a lot to tour.
Seven years I worked at the Polish deli. It's a very slow deli. So I sat around a lot on my stool at the cashier. And I'd sign my autograph on all the bags I'd put the milk in. Just everyday, practice my autograph. And the manager of the store would take some of them and tape them against the wall. And he'd say, "Some day, I'm telling you, it will be worth something." And I'm like 13, going, "Really?!" And when I go back there, he still has them on the wall. It's very cute.
When kids want a picture or autograph, you reflect later on and realize you did something good. Then you see them come back five years later, they're all grown up, have their own lives and they tell you how much you inspired them. You're like, 'Whoa.'
Most Christians would like to send their recruits to Bible college for five years. I would like to send them to hell for five minutes. That would do more than anything else to prepare them for a lifetime of compassionate ministry.
Today they forget you in five years. They give an artist nowadays four or five years and that's it. Some of them don't have that. They get a couple of releases. If you don't sell two million copies, you're gone, you're out of here.
I'd like to tour, but again, to tour my music now would take a bigger band.
I'm a huge sports fan but have no interest in minutiae. I don't remember who won Super Bowls five years ago or listen to sports talk radio.
I spent six figures of my own money to get a tour bus and do a fan tour for my second album. I surprised fans at their houses, and we'd eat food and play video games.
I remember, as a kid, when any woman/girl came close to my dad to get his autograph, I would throw a complete tantrum - yell shout and sometimes even fight!
The only autograph I ever got, which I do not have anymore, was Matthew Fox when he was on 'Party Of Five.' I was in high school, and he came to our local amusement park, and I stood in line and got an autograph.
When I finally finished the 'Two Suns' tour, which went on for quite a long time, I felt like a bit of a husk. And I remember thinking, 'I need to spend some time in one place, and just be at home.' So I guess the first year of that three and a half years was spent just trying to kind of get back to normal again.
My dad used to work a night shift when I was five years old, so I would get up when he went to work and watch Johnny Carson. I remember not knowing what was going on, but loving it.
I've been watching more American TV because of all the great TV series that have come out in the last five to 10 years. I'm a 'Sopranos' fan, I'm a 'Wire' fan, I'm a 'Mad Men' fan. I'm a 'Deadwood' fan. It makes me optimistic for the future of storytelling on TV that producers are willing to take that kind of jump.
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