A Quote by Joe Eszterhas
All has changed, thanks to Joe Eszterhas' life-threatening battle with throat cancer. He announced in "The New York Times" that he and Hollywood had blood on their hands and now Eszterhas is crusading to stop Hollywood's glamorization of smoking.
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The script was classic Joe Eszterhas, intelligent, steamy and provocative. At one time, Eszterhas was Hollywood's highest paid writer, illiterate rock and roll bad boy whose 14 films glorified sex, drugsa nd cigarettes. Eszterhas also fought publicly with producers and politicians. In 1995 he argued that some of the misdeeds of the Nixon, Reagan and Bush administrations were more obscene than anything in an "R" rated movie.
When Al Gore picked Joe Lieberman to be his running mate in the 2000 presidential campaign, Eszterhas wrote "Joe Lieberman frightens me. Why should we, an Hollywood voter, donate money to a man who threatens our creative freedom, our freedom of expression."
Joe Lieberman was threatening censorship. What I'm arguing is that if the creative people in Hollywood themselves have a responsibility, have a moral responsibility in terms of smoking, not to show smoking in movies.
Screenwriting Joe Eszterhas have always talked about the charm of evil.
I'm reading Joe Eszterhas biography; it's fabulous. Every time he made a movie, he fought with the director or the producer over the ending.
I love what Joe Eszterhas written about Bill Clinton. It's hilarious, Clinton as a rock star, which is the way we should remember him.
Everything I learned and didn't do in New York I would put into place here in the London West Hollywood. It's fascinating, when you look at the critics' reviews, and we had a great one in the New York Observer and all that, and then the New York Times came and it was a devastation; two stars out of four. They said that I played safe because it wasn't fireworks. Then they judged the persona over the substance that was on the plate.
Being from New York, there's three things you know about Hollywood. You know about the Hollywood sign, Sunset Strip and Hollywood Boulevard with the stars.
My mother's whole family had been from the theater, really. Because I grew up in Hollywood, I wasn't that interested in Hollywood. But the New York theater was completely exotic and fabulous to me.
We appreciate quiet living. It's not exactly a Hollywood way of life - I couldn't stand living out in Hollywood because you can never escape from the business. All people ever do is talk about movies. At least in New York you can have some other life.
The spotlight was on me. I pretended it wasn't, but it was, and for every wrong reason. It was all about money, it was all about my supposed competition with Joe Eszterhas over who'd be the highest-paid screenwriter. I didn't care. I just wanted to write stories, try to become a better writer, improve my style, change genres, even try new things. I didn't like action so much any more.
I had a really negative look at the night-life side of Hollywood, which I really didn't like. I went to New York to focus on modeling, and then of course found that New York was not any different from Los Angeles.
Why Hollywood has killed so many movie stars with cigarette smoking, with the romanticization of it from John Wayne to Humphrey Bogart, all those people had cancer, died of it, and sold cigarettes their whole career.
If I was American, I think I'd live in New York, because I like that East Coast mentality. There's nothing wrong with Hollywood. If you want to be a big time filmmaker, you should go to Hollywood.
I wasn't making any money, but I didn't feel unsuccessful because of that. You can do that in New York but not in Hollywood. In Hollywood, it is how much money you make.
The problem in Hollywood is that they try to become the only kind of cinema in the world, okay? The imposition everywhere of a unique culture, which is Hollywood culture, and a unique way of life, which is the American way of life. But Hollywood has forgotten that, in the past, what made Hollywood great and what made it go ahead was the fact that Hollywood was fed with, for example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
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