A Quote by Joe Eszterhas

Actors always loved props and-so instead of a hat or an umbrella, they feel really comfortable with a cigarette as a prop. — © Joe Eszterhas
Actors always loved props and-so instead of a hat or an umbrella, they feel really comfortable with a cigarette as a prop.
We have new technology that allows us... After we've blocked it, all the actors usually run over to the monitor and we can see the hallways and what's there. But I find it difficult, because you're in such a large room and you feel so small and inadequate. There's so much space around you and actors always want a prop or something just to make it comfortable.
An actor has to be very, very careful, as one of the most wonderful props - and actors love props - is a cigarette. There's so much to do with it: you can bring it up to your face, play with the smoke. It's just the greatest - ever since I was 16 and in acting school in England, I've been playing around with cigarettes.
And finding the hat, I always like to find the hat. And then props just dress the set. It's all fabulous.
"It is necessary to be given the prop that all elementary props are given." This is not necessary because it is even impossible. There is no such prop! That all elementary props are given is SHOWN by there being none having an elementary sense which is not given.
All these years, they've been giving lip service to saying that we are a party that is inclusive instead of exclusive. We've said the Democratic Party has a great big umbrella, and everybody can be comfortable under that umbrella. If they didn't mean it, then it ought to be pulled apart.
There's this group online that I frequent. It's a group of prop crazies just like me called the Replica Props Forum, and it's people who trade, make and travel in information about movie props.
I am a smoker, I'm ashamed to say. I had given it up for many years, then picked it up again. It's a horrible habit. I struggle with myself all the time. And I love to smoke. An actor has to be very, very careful, as one of the most wonderful props - and actors love props - is a cigarette. There's so much to do with it: you can bring it up to your face, play with the smoke. It's just the greatest - ever since I was 16 and in acting school in England, I've been playing around with cigarettes.
I've always loved working, doing interviews with the guys on the 'Today' show; everyone's really easygoing, and I always feel comfortable on the show.
I've always loved 'Umbrella.' Funny enough, my ex-husband wrote that, and I'm not saying it was meant for me or anything - people will start twisting this - it is Rihanna's song! But I've always loved it.
I am a comedian but it's usually not a compliment to be called a prop comedian but I guess I sometimes use props. And I always confuse humorist with comedian. That's strange.
I like it when people are kind and I like people who are looking for collaborators. Sometimes you can feel like a moving prop, and that could be amazing, you can be a prop in somebody's incredible vision, but I'm more interested in people who are looking for actors they can collaborate with and make something together with. I like stretching myself, I like trying new things out, but I'm really interested in working with directors who have a very specific style and a unique way of working.
I don't like having characters as props. I never want a character to be a prop.
I'm a dramatist, so I really always wrote and directed at the same time because when I wrote something, I always put it on its feet. So I'm in love with actors; I always loved actors.
Two weeks ago at the U.S. Amateur, my mom caddied, and that is kind of a different feeling, because she's your mom and you have to listen to her. It was really comfortable having my mom there, but it's also really relieving and comfortable to have someone that knows the course off their hat, really.
I'll never feel comfortable taking a strong drink, and I'll never feel easy smoking a cigarette. I just don't think those things are right for me.
I can work with shyness, but for the most part I want people to feel comfortable with me. It's really more about the photographer feeing comfortable right when they walk in that makes the subject feel comfortable.
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