A Quote by Joe Eszterhas
I had read too many memoirs that were written after the writer or the director was past his or her prime.
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The American experiment, the United States in the past eight years [2008-2016] was not considered worthy of leading, because we had committed too many transgressions. We didn't have the moral authority to lead anybody because we had too many injustices in our past and too many discriminations and too many thises and thats and so forth. We were not worthy of leading, and we had been leading for too long in all the wrong directions. It was really, I think, despicable.
In 1975,Bob Dylan was almost 10 years past his prime - and then he released the best album of his career, Blood on the Tracks. Written and recorded amid a painful divorce, Blood on the Tracks is proof that heartbreak makes great art - just as many of the albums that followed were the opposite.
I love memoirs, particularly obscure ones because the writer is usually a regular guy just telling what happened to him and to his friends. What these tales lack in artfulness they make up for in passion and authenticity. For a writer of fiction, they are solid gold. I have stolen so much from memoirs it's ridiculous.
There are certain writers I can't read when I'm trying to write because their voices are so distinct. Cormac McCarthy, he's the most different writer from anything I've ever written, but there's something about those really spare sentences that is just tough - it would be too much of an influence. Grace Paley is my favorite writer. Her stuff is so voice-driven, when I read her a lot I want to make my writing more voice-y and dialogue-heavy. I love a lot of stuff in translation.
I had no ambition to be a writer because the books I read were too good, my standards were too high.
Such reproductions may not interest the reader; but after all, this is my autobiography, not his; he is under no obligation to read further in it; he was under none to begin. A modest or inhibited autobiography is written without entertainment to the writer and read with distrust by the reader.
THE WRITER can get free of his writing only by using it, that is, by reading oneself. As if the aim of writing were to use what is already written as a launching pad for reading the writing to come. Moreover, what he has written is read in the process, hence constantly modified by his reading. The book is an unbearable totality. I write against a background of facets.
A writer/director is a tough thing to gauge when someone hasn't directed a movie before. You just don't know. Sometimes it will be a great script that's written beautifully, and then the director who has also written it does not have the facility to translate it.
How simple the writing of literature would be if it were only necessary to write in another way what has been well written. It is because we have had such great writers in the past that a writer is driven far out past where he can go, out to where no one can help him.
In France, for instance, one magazine writer was convinced that On The Road had been a huge influence on Lost Souls and was crushed to learn that I hadn't read the one until after I'd written the other.
I feel like the books were just written like a movie. You read it and you can just kind of see everything. Before I went in to read with the director, I read the first book and I loved it. I didn't realize how good the writing was. And then I went in and read with Gary Ross, and that was it.
After the many rumours that we had heard about Hitler and the published criticisms we had read about him, we were pleasantly impressed. His appearance was neither pretentious nor affected.
It wasn't until many years after 'The Waltons' when I had gone back to theater that I had the opportunity to take on a role within a theater company as a writer and director. I found to my surprise that I really enjoyed it as well.
She opened her mouth to answer, but he was already kissing her. She had kissed him so many times—soft gentle kisses, hard and desperate ones, brief brushes of the lips that said good-bye, and kisses that seemed to go on for hours—and this was no different. The way the memory of someone who had once lived in a house might linger even after they were gone, like a sort of psychic imprint, her body remembered Jace. Remembered the way he tasted, the slant of his mouth over hers, his scars under her fingers, the shape of his body under her hands.
My grandfather was a most gifted person, and amongst his many qualities, one of them had always particularly impressed me. While the past was a book he had read and re-read may times, the future was just one more literary work of art into which he used to pour himself with deep thought and concentration. Innumerable people since his death have told me how he used to read in the future, and this certainly was one of his very great strengths.
Britney's a very beautiful human being. After I worked with her, I realized that there was a reason why she was the most popular pop artist over so many other pop artists at that time who were more talented, had better voices. And it was because of her heart, her soulShe had the most amazing energy and was always positive and a very discreet person. We were young, too, and got to make a movie about three friends on a road trip. It was so much fun!
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