A Quote by Joe Flacco

When you are a player, you don't really understand the criticism when you feel like you played pretty well. — © Joe Flacco
When you are a player, you don't really understand the criticism when you feel like you played pretty well.
When I'm naked, I really like to do push-ups. No. I think I really tackle it like everything else. If you're going to commit yourself to playing something, you have to be able to understand it. If you can understand it, then you can do it and go balls out with it. But, I've never been in a position where I've been like, "This doesn't feel right." I wouldn't do it, if it was that. I like the shock value of it. I think that, if you use it correctly, it's pretty effective, as long as I'm lit really, really, really well.
You learn as a player not to listen to the criticism. Many of the people who put out that criticism might not be as accomplished, might not understand the game as well from the inside-out.
I do feel I'm a player who has played well in 2006.
Well my dad was a pretty good player at one stage and my two older brothers played golf as well. So there were always golf clubs flying around the house.
Even though Peter Criss is a pretty simple player, he played with great feel and made the music get up and go.
You see an artist, a creative person, can accept criticism or can live with the criticism much more easily than with being ignored. Criticism makes you feel alive. If somebody is bothered enough to speak vituperatively about it, you feel you have touched a nerve and you are at least 'in touch.' You are not happy that he doesn't like it, but you feel you are in contact with life.
I wasn't the most talented player as a kid. Whenever I look back at the old footage, I didn't swing it very well and I didn't strike it pretty well, but I managed to score pretty well.
I had criticism in different clubs I played for. When i played in Corinthians, Tottenham and Barcelona there was some criticism but I always did my work, trying to do my best.
I appreciate good criticism and I think it's really important. I don't like it when it's consumer advocacy, like how you should spend your $60. Great criticism is a kind of literature. I've written some criticism, and I really enjoy it because I think it's important for people to know that theatre is vital. Criticism is really unevenly distributed in this town. Obviously the power of the Times is discouraging. It's killing new plays, demolishing one after another.
In certain ways I still feel like I'm finding my way. I feel pretty comfortable playing acoustic guitar and singing, but then I feel pretty good sitting on a reggae groove as well.
I can understand everybody associates me with Karen, but beyond that, I think after time passes and a few years go by, that sort of becomes a non-issue. That character is far - I mean really, all the characters I've played are pretty far away from what I'm really like.
When I talk about the early years in Oakland, I don't want to take anything away from who that player was, because that player was still a heck of a player, that player was just young. I played off the field the same way that I played on the field.
Administrators guide players and I have played for such a long time, I understand how it feels as a player. You can say I am a player's administrator.
It was actually pretty cool to be in Pittsburgh for those four years. I moved into the dorms and had a pretty normal college experience, even though it was in my hometown. I really thrived there. I feel like it really suited me and served me well in terms of how I grew up there.
Even when I was calling myself the Microphones I only really ever played new songs... because I feel, like, a pretty strong connection to the song when I'm performing it.
I was never a standout player until I played for the under-19s and became the captain. Then everything went much better - I played some games for the under-23s and after that it went pretty quickly.
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