A Quote by Joe Garagiola

You really have to be some kind of a creep for a dog to reject you. — © Joe Garagiola
You really have to be some kind of a creep for a dog to reject you.
I kind of follow in the tradition of some folks - some thinkers and scholars I really look up - who reject the idea of intellectual compartmentalization.
Nobody else can really begin to sort out for you what to accept and what to reject in terms of what wakes you up and what makes you fall asleep. No one else can really sort out for you what to accept - what opens up your world - and what to reject - what seems to keep you going round and round in some kind of repetitive misery.
Reject labels. Reject identities. Reject conformity. Reject convention. Reject definitions. Reject names.
He just didn't look like the kind of creep that would messily murder a woman in her hotel room; he looked like the kind of creep that could line her up in the sights of an assassins rifle without a shred of emotion.
It would have been so perfectly ironic if I had been killed by the dog, because I was petting a dog who was not used to being pet, because I think I'm some kind of dog whisperer, and I think I can make any dog love me.
There's always moments where you creep yourself out, and you think you heard something and you convince yourself that some spirit is in the room with you, but truly, I don't believe in any of that kind of thing. A lot of my friends really do.
If a dog is biting a black man, the black man should kill the dog, whether the dog is a police dog or a hound dog or any kind of dog. If a dog is fixed on a black man when that black man is doing nothing but trying to take advantage of what the government says is supposed to be his, then that black man should kill that dog or any two-legged dog who sets the dog on him.
I thought I was okay in my first film, and then I was really, really bad in some films. I really cringe when I see some of my scenes. There's a scene in one film where a dog is biting me; the expressions I have made should be qualified as the most over-acted scene in the history of the cinema. The dog's expressions were more real than mine.
I had a dog named Basil, and he's the hero of the book 'Animal Firm.' Oddly enough he's a dachshund, which is not really my kind of dog.
A lot of passes that I throw, some of them are kind of thread-the-needle type of passes, and I know Year 1 or Year 2 Bam wouldn't have done that. But you've gotta take the leash off the dog. What's scarier, a dog with a leash walking with a person or a dog with nobody around him?
Watch 'Dog with a Blog' to get a good laugh, to see me, of course, and to see an awesome, awesome talking dog who is the cleverest, most awesome dude in the world. He's really, really adorable and cute, and it's really cool seeing what kind of tricks he has up his sleeve.
We have a really, really great dog. It doesn't bark. My dog almost smiles, which is weird. He's just a very happy dog.
My dog barks some. Mentally you picture my dog, but I have not told you the type of dog which I have. Perhaps you even picture Toto, from The Wizard of Oz. But I can tell you, my dog is always with me. WOOF!
The body is some kind of image of you, it's kind of something that's just attached to your soul, some kind of outside principle, which doesn't really represent who you really are.
When the dog looks at you, the dog is not thinking what kind of a person you are. The dog is not judging you.
You have to have that dog-eat-dog kind of mentality. I think me playing football all my life and having that chip on my shoulder, not really getting the opportunities that I wanted, really carried over to track and field. It allowed me to use all that energy and put it in the direction of being the best track athlete that I could be.
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