A Quote by Joe Garcia

The reality is that people know my character, and they know my service. — © Joe Garcia
The reality is that people know my character, and they know my service.
This is an important distinction, because most of the modern philosophies that deny that we can know reality, and ultimately truth, make the mistake of constructing epistemological systems to explain how we know reality without first acknowledging the fact that we do know reality. After they begin within the mind and find they can't construct a bridge to reality, they then declare that we can't know reality. It is like drawing a faulty road map before looking at the roads, then declaring that we can't know how to get from Chicago to New York!
We don't condone it, but it happened. Is there a concern Yes, there is a concern. People are going to think what they think. But the reality is, I know the players we have, I know the character we have. We're recruiting the right people.
Sadly, an average service that's well marketed will always generate massively more money, than a great service, which too few people know about. Think about it: People can't hire you, if they don't know you exist - regardless of how amazing you are.
As a writer, you have to put yourself in service to the character, get behind their eyes by delineating the world where the character develops. You have to listen to the character and see him inside his certain world to know what conclusions he would draw.
If you're playing your character and you're running into all these people who know who you are and treat you in a way that doesn't pertain at all to the character, it takes you out of it more, so when you're alone in a city where people don't know you, you can kind of pretend even more and get into the head space of where you need to be.
The less people know about me in reality, the more they can accept of me as a character.
I don't know what I am. I guess you can call me a character actor in the sense that I'll never be an ingenue. You know, that's over. My shot was missed. I take a normal person and make them more of a character. I don't know what that would be called.
Reality shows are for reality stars. Celebrities do, maybe, Dancing With The Stars, maybe they might do Celebrity Wife Swap, but dealing with strangers, with people you don't know, in a real situation? People say it's fake, it's based on what they tell other people to do but won't tell you, but you still have a gut reaction, you know.
I have travelled enough internationally to know and accept the reality that, overwhelmingly, people are well disposed to Australia but in truth know very little about it. In particular, people know hardly anything about Australian politics.
If somebody in a family is in service, the whole family is in service. I didn't know that. I didn't know our veterans were being deployed seven, eight, nine, 10 times. It's inhumane.
In real life, you don't know what's going to happen to you, so why would your character know? It's liberating to play the emotion your character is feeling at the time and not know what's coming up. I like it.
If you think of the people who are funny in your life, you'll note it's not because they tell jokes, it's because of their character. If you develop characters, then you'll know them, and you'll know how they'll speak. The comedy will come out of the character.
The women I know are smart, interesting people who aren't just there to service the men's stories, so I don't know why our art continues to do that.
Yeah, I know a lot of soldiers. I know soldiers who don't like to hear thank you for your service. And I know soldiers that do like to be told thank you for your service. The ones who don't like to be told are the ones who've been through serious sh*t. They don't care about feedback. They did their job. They did what they have to do. Sometimes the people that thank them are exactly the ones they don't want to be thanked by.
The advantage of being the creator of the character is I know them better than anybody, I like to think. But the reality one has to deal with in a serial collaborative medium like comics is that you're not the only one who writes the character.
We're not going to deputize a whole bunch of American citizens to start grabbing people or turning them in, in part because the ordinary American citizen may not know whether or not this person is illegal or not. But, you know, the notion that we're going to criminalize priests, for example, or doctors who are providing services to individuals, and throw them in jail for doing what their calling asks them to do, which is to provide help and service to people in need, I think that is a mistake. I think that's out of America's character.
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