A Quote by Joe Gilgun

'This Is England 2015.' That would be ace. We could have prosthetics to make us look really old. — © Joe Gilgun
'This Is England 2015.' That would be ace. We could have prosthetics to make us look really old.
I've never worked with prosthetics before in that sort of capacity. I did a bit of prosthetic work when I had to give birth in Jude, which is quite a different set of prosthetics. But I had so much admiration for the hair and make-up department and the prosthetics team, who are actually based at Shepperton, and who put together that look for Hanna. I
I look at a picture like Scarecrow and think, 'Jesus, how could they have let us make that?' I mean, if you used technology that old nowadays, it would look like old Hollywood.
In my dreams, whatever I am doing, I look down to see if I have prosthetics. It sets my time frame in my dream, I think. I'd have these dreams that I am running and launching myself, and I look down and see that I have prosthetics. I have a lot of those, where I do great, amazing things with my prosthetics.
The hardest part of playing the villain was the prosthetics, because I couldn't really move my face as much as I wanted to, and yet I had to move my face a lot. If I moved my face in certain ways the prosthetics would come apart, so I could do a lot of eyebrow acting, but I couldn't do a lot of nose lifting, or the corners of the nose would pop out.
At no point did I ever doubt I would be as near as anybody could be to England's Elvis Presley. Even from eight or nine years old, I thought, Well, I'll be the greatest rock star in England. I just made up my mind.
I do not want "Mormonism" to become popular; I would not, if I could, make it as popular as the Roman Catholic Church is in Italy, or as the Church of England is in England, because the wicked and ungodly would crowd into it in their sins.
My older brother always tells me I changed as a person when I saw 'Ace Ventura.' Because when I saw 'Ace Ventura', I became obsessed. I watched the movie as many times as I had to - back then, you couldn't go on the Internet and find the script - so I watched it as many times as I could to write my own script of 'Ace Ventura.'
When you're 20 you can put a ton of old-age prosthetics on and be an old guy, but when you're 70 you can't play a 20-year-old.
If you would ask me at 15 years old if I would have traded prosthetics for flesh and bone legs, I wouldn't have hesitated for a second. I aspired to that kind of normalcy back then. But if you ask me today, I'm not so sure.
My life would have been different without Paul Stanley or Ace Frehley. They would have to be the greatest on my list as an influence to my life at 11 years old.
It's that weird need to make tragedy about us. When you look at 9/11, there's people who really died and family members who really suffered. And then I would be in Montana, and a guy would go, "You know, I was close to Ground Zero." And it's like, "What are you talking about? You're in Montana." Everybody had to make it about them.
This rule I propose, Always have an ace in the hole. Always try to arrive at Having an ace some place private . Always have an ace in the hole.
The thought for us [street photographers] was always: How much could we absorb and embrace of a moment of existence that would disappear in an instant? And, Could we really make it live as art? There was an almost moral dimension.
In 'Twice Born' I play my character in her 20s, 30s and 50s. For the fifty year old scenes, I had some prosthetics; it was interesting to see how I'm going to look when I'm fifty-five or so. I actually saw similarities between my grandmothers and my mother.
I would never use prosthetics. I don't like sticking things on. I don't really like wearing wigs, either.
I love Tim Curry as the Devil in 'Legend;' the prosthetics that are on him are so over the top sensually evil, and Tim takes full advantage, is just oozing with the role. The makeup and prosthetics, and his character are seamless.
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