A Quote by Joe Greene
I'm probably the only guy in the country who can say he's worked under Chuck Noll and Don Shula.
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When I was a young coach, there were people like Chuck Noll, Chuck Knox and Tom Landry who were there for me.
Chuck Noll knew how he could help people. He was a teacher. He was a guy that was very good at selecting people, getting them to fit in. He wasn't the guy that was going to sit there and motivate you, intrinsically. That wasn't what he was best at. So he hired people that were good at that.
They always say you don't want to follow a legend. A few have been able to do that. I think Bill Cowher followed Chuck Noll pretty well with the Pittsburgh Steelers. But it's hard to do at a lot of places.
I was blessed to have followed a legendary coach in Chuck Noll.
Chuck Noll is building one hell of a football team up in Pittsburgh.
I learned from Chuck Noll in Pittsburgh that speed and explosiveness on defense is the way to build a team. Both are difficult for your opponent to assimilate in practice and then in games it is even harder to match.
Whenever I think of baseball, the first name that comes to mind is Babe Ruth. What the Babe was to baseball, Shula is to football coaching. There are certain figures in sports who are larger than the games they play or coach, and Don Shula is one of those.
We're not running the ball again until we get ahead. Shula was calling the plays, but I told them, 'I don't care what he calls. We're throwing every pass from now until we get the lead.' To Shula's credit, he always gave me that option.
Just deleting vandalism on the Chuck Norris page," Radar said. "For instance, while I do think that Chuck Norris specializes in the roundhouse kick, I don't think it's accurate to say, 'Chuck Norris's tears can cure cancer, but unfortunately he has never cried.
1983 - Country music had made a resurgence in this country so I joined a country band. I was the only black guy in the band and consequently, usually the only black guy in many of the places where we played.
I miss my coach. I love my coach. I miss Chuck Noll.
Once I looked into it, I was taken aback to learn that pretty much nothing by João Gilberto Noll was available in English translation. I was confident that I could find an editor and the readership for a translation: Noll is highly respected in Brazil, and at the same time divisive, somewhat like Hilda Hilst. Neither of them enjoys the universal acclaim you might associate with Clarice Lispector, whom everyone adores, myself included. Still, I considered it a tremendous injustice that Noll had not been more widely translated and was determined to rectify it.
Modibo Maiga, Guy Demel and Momo Diame can't understand how you go fishing and chuck them back. They say, 'Bring it in, I'll eat it.'
Dreamlike sequencing is perhaps one of João Gilberto Noll's most remarkable triumphs in Quiet Creature on the Corner. I translated the novel and still it remains a mystery as to how exactly how this works. Noll thinks more like an experimental filmmaker than a novelist.
[Chuck's wife] was standing behind me at the time and she said, 'Chuck hasn't fed himself in 19 years. So, you've got a choice: We keep the arm, or you keep Chuck.'
As far as I know, there is only one other director who was a stuntman - guy named Chuck Bail who directed 'Gumball Rally.' Doing stunts isn't exactly a common path to directing.
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