A Quote by Joe Haldeman

I think any writer keeps going back to some basic theme. Sometimes it's autobiographical. I guess it usually is. — © Joe Haldeman
I think any writer keeps going back to some basic theme. Sometimes it's autobiographical. I guess it usually is.
Look, anything any writer writes is going to be on some level autobiographical. Part of the funny/sad thing is that you don't always know how autobiographical you're being.
Even if the experience in my stories is not autobiographical and the actual plot is not autobiographical, the emotion is always somewhat autobiographical. I think there's some of me in every one of the stories.
Some of songs are autobiographical and some of it is more telling a story from someone else's perspective. It's healthy for me to do that because, oftentimes, it can become too narcissistic if I'm trying to express myself all of the time. My problems are what I'm going through and sometimes it's nice to take a step back and feel what someone else is going through and that can help.
I guess it's going to have to hurt, I guess I'm going to have to cry, And let go of some things I've loved to get to the other side I guess it's going to break me down, Like fallin when you try to fly, Sad but sometimes moving on with the rest of your life starts with goodbye
Any adjective you put before the noun 'writer' is going to be limiting in some way. Whether it's feminist writer, Jewish writer, Russian writer, or whatever.
Every writer follows a theme, and mine is survival. If you can't figure out what a writer's theme is, look at the books you are attracted to.
[Oscar Wilde's Salome screenplay] is not autobiographical in a sense where you go to my house and see my kids and stuff like that, but that's why I guess it's semi-autobiographical.
Improvisation sometimes seemed more like jazz than acting, like verbal jazz, with the actors playing a theme back and forth, and then introducing another theme, incorporating it, somehow trying to work their way all together to a meaning of some kind, or at least a conclusion.
The quality of one's emotional life changes over the years, doesn't it? But the basic instincts and desires, greed and hope, seem to remain constant. In the larger scope of things, there's a sense of fulfillment to living a creative life. So I guess that's what keeps me going.
I have very rarely written autobiographical stuff. "Greasy Lake" and some other works have some autobiographical elements, as does "Birnam Wood," the one I chose to end [this collection] with. I lived in that house and some of my feelings are expressed in it, but it's not autobiography. It was not me and that didn't happen exactly that way.
There are autobiographical elements to the albums, and when I write, I always reference my own life as well as other things, so I'm just like any novelist or any fiction writer who tells stories.
A couple years ago I was going to back off and actually thought about retiring, but it keeps calling me back, and I'm going to keep going back as long as it calls me. I really think it has something to do with the good vibes that I feel I've spread through my performance and through the time that I've spent with fans.
Football sometimes is stressful. Music is more of a kind of laid-back type, chilled-out kind of activity. It kind of keeps me balanced, I guess.
I think that if we get back to some basic fundamental principles, we can make sure that we resolve the issues. And I think that that's what the Tea Party was all about. It's getting back to a constitutional conservative government. And that is limited, but it's also effective and efficient. I think that that's what we'll be able to do.
I say "on principle" [regarding 'lesbian writer'] because whenever you get one of your minority labels applied, like "Irish Writer," "Canadian Writer," "Woman Writer," "Lesbian Writer" - any of those categories - you always slightly wince because you're afraid that people will think that means you're only going to write about Canada or Ireland, you know.
I'm not an autobiographical writer, but I am a writer who deals with human emotion on all levels.
This site uses cookies to ensure you get the best experience. More info...
Got it!