A Quote by Joe Hisaishi
Since 'Mononoke' has such a dramatic story, I played up the drama, emphasizing the power of a magnum opus.
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I won't write a book. I haven't got a magnum opus in me.
Upon the publication of Goethe's epic drama, the Faustian legend had reached an almost unapproachable zenith. Although many failed to appreciate, or indeed, to understand this magnum opus in its entirety, from this point onward his drama was the rule by which all other Faust adaptations were measured. Goethe had eclipsed the earlier legends and became the undisputed authority on the subject of Faust in the eyes of the new Romantic generation. To deviate from his path would be nothing short of blasphemy.
Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.
I like the idea of being a working writer, not of saying that it's going to take me 30 years to write my magnum opus.
What I wish is that people would look beyond the tribbles and see I've written some other books that I really would like people to notice. There's 'The Man Who Folded Himself,' there's 'The Martian Child,' which is about my son and the adoption. There's 'The War Against The Chtorr,' which is my magnum opus, my great epic story.
What I wish is that people would look beyond the tribbles and see I've written some other books that I really would like people to notice. There's The Man Who Folded Himself, there's The Martian Child, which is about my son and the adoption. There's The War Against The Chtorr, which is my magnum opus, my great epic story.
In a film, there are dramatic moments and a bunch of different moments that lead up to a dramatic moment. On some songs, I try to paint the picture of before that drama happens, so by the time you get to the end of the project you've experienced infatuation and intimacy before it dives off to drama.
Making a film means, first of all, to tell a story. That story can be an improbable one, but it should never be banal. It must be dramatic and human. What is drama, after all, but life with the dull bits cut out?
Because we grew up surrounded by big dramatic story arcs in books and movies, we think our lives are supposed to be filled with huge ups and downs. So people pretend there is drama where there is none.
For me, hour-long drama was always the thing I felt the most comfortable doing, and I've played so many dramatic roles in the theater.
Theatrical experience will always be the norm in India. In fact, as a producer and as an actor, I always hope that the magnum opus theatrical experience should always continue.
There are two styles of walls "opus reticulatum," now used by everybody and the ancient style called "opus incertum." Of these, the reticulatum looks better, but its construction makes it likely to crack. On the other hand, in the opus incertum, the rubble lying in courses and imbricated, makes a wall which though not beautiful, is stronger.
One of the first jobs I did out of drama school was a panto at the Magnum.
When you are solving a difficult problem re-ask the problem so that your solution helps you learn faster. Find a faster way to fail, recover, and try again. If the problem you are trying to solve involves creating a magnum opus, you are solving the wrong problem.
I'm fascinated by power, especially veiled power. Shadow power. The National Security Agency. The National Reconnaissance Office. Opus Dei. The idea that everything happens for reasons we're not quite seeing.
We have things to say about Congress and all of that. I think we may have our magnum opus coming yet. It's a piece called "Leonard" that I'm very excited about, and I think we're going to see a side of Chris Pine that people haven't really seen yet. That's all I'm going to say, but I'm proud of it.
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