A Quote by Joe Hisaishi
When I discovered minimal music I felt I could create my vision - it was totally different to traditional music.
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New Orleans had a great tradition of celebration. Opera, military marching bands, folk music, the blues, different types of church music, ragtime, echoes of traditional African drumming, and all of the dance styles that went with this music could be heard and seen throughout the city. When all of these kinds of music blended into one, jazz was born.
We live in an age of music for people who don't like music. The record industry discovered some time ago that there aren't that many people who actually like music. For a lot of people, music's annoying, or at the very least they don't need it. They discovered if they could sell music to a lot of those people, they could sell a lot more records.
I write my music with the idea that it will appeal to all of those people, and I want them to go in with all the history that's within all of us - all the things that they've listened to in the backs of their minds, whether it's country music or minimal techno, or classical music or whatever. I want them to bring that excitement, that love, or that hate, or whatever it might be, to my music. I feel that my music draws on so many different things.
I was about sixteen when I discovered that music could get you laid, so I got into music boy, didn't matter what you looked like either, you could be a geeky looking guy but if you played music, whoa, you'd get the girls.
Every work is completely different. Sometimes the music is first, sometimes it's parallel, and sometimes the music is after. There's no rule. Music goes differently to your emotions. With music you can create different spaces and feelings easier than you can with the visual - maybe not easier, but in a way, it's more seductive.
Some critics could argue that club or fun pop-y dance music isn't meaningful, when it totally is. All different types of music are meaningful depending on what people are going through in their lives at any given moment.
I'm a huge fan of a lot of different genres of music, and I really felt like somehow I had been pigeonholed a little bit - maybe of my own doing - and in a way where I felt like I was sort of falsely defined. What my music was being called wasn't really the music I was always listening to.
Even though I have a huge love for alternative music and punk music, particularly, I have always had the love for pop music inside of me. Therefore actually it felt kind of natural for me to have different projects with different genres.
For me, I don't really feel like I have any particular main influences or artists that I pull from; it's more of an underlying effect of such a big range of music that I love and I identify with - and all of that plays into what I do in minimal ways. I just really try to make music that reflects my identify, which is hard to pin down and is a lot of different things. I strive to make music that is hard to describe and meshes a lot of different genres, with the vocals being the thing that ties it all together.
I was the audience he wanted to reach. Gram Parsons' writing brought his own personal generations poetry and vision into the very traditional format of country music, and he came up with something completely different
I like for it to be mountain music or old-time country music or traditional bluegrass. Either one will fit me. It's traditional, basically.
I write most of my stuff. When I'm rejected in music, it hurts worse than when I don't get a role, because that's someone else's vision. If they don't see me as that part, even if I believe I'm the perfect person for it, that's their vision. The music is my vision.
I've been composing music for feature films since 2007. I've been creating music for films for 13 years and I totally enjoy and love doing that. However, I have a lot of music inside me which I want to share with you all in a different way.
My music is music that Christians and Catholics can listen to. Muslims. Buddhists. And non-religious people as well. It's just music. You can look at the music in several different ways. It's music for everybody.
I remember when I discovered The Beatles with music and The Beatles peaked before I was born and when I discovered them I felt really special.
When The B-52s started in the late '70s, music and the business was totally different. Obviously, it's easier for everyone to be able to work with music, record, and get good quality.
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